March 09.2018 - ARIA - Antwerp
Initiator: Pieter Vermeulen
Lecture-performances have gained increasing attention in recent years, in the wake of the ‘academic turn’, which frames artistic praxis as a form of research. Its genealogy can arguably be traced back to the emergence of performance art in the 1960s, with canonical examples such as Robert Morris, Dan Graham, Andrea Fraser and Joseph Beuys. Contemporary artists like Sharon Hayes, William Kentridge, Hito Steyerl, Amalia Ulman, Bruce High Quality Foundation and many others are now continuing this historical legacy. Sharpening the relation between art and knowledge, their work can be situated at the intersection of visual art, lecture and performance.
How to analyse these different forms of knowledge transmission? What kind of knowledge are we dealing with and how is it being performed? What is the role of the performer's body, and is it possible to move beyond the divide between subject and object? Or, for that matter, between the spectator and performer, or between the academic and artistic realm? Would teaching qualify as a form of art and/or research? The objective of this research seminar is not to canonise the lecture-performance as a ‘medium’, but to examine its multiplicity at the intersection between the arts and academia.
- Warren Neidich
- Barnaby Drabble
Venue: ARIA, Lange Sint-Annastraat 7, 2000 Antwerp (room S.S208)