WORK FLOW - A play with apes and crafts

May 17.2018 - CC Sint-Niklaas

Initiator: Wim Wauman

Workflow can mean different things. It mostly refers to the deliberate, rational organization of work, primarily in the context of manufacturing. A workflow usually consists of an orchestrated and repeatable pattern of production activity enabled by the systematic organization of resources into processes that transform materials, provide services, or process information. Although the implementation of schematized workflow principles on the factory floor has proven to be an effective strategy to increase productivity in terms of speed and thus quantity, it also implies a degradation of work for those on both sides of the divide between the work of the hand and work of the mind.

Traditionally, the process of making was characterized by continuity in time and space: local artisans controlled the production chain which took place in the workshop. Artisans relied on skills, acquired through years of practice, and developed a ‘tacit’ intuition which guided their decision-making processes. Simultaneously, the direct involvement with materials through manual work provided practitioners with a sense of satisfaction and pleasure.

In fact, the psychological term flow is highly apt to describe the working activity of artisans.

A ‘flow’ refers to a mental state of operation in which a person performing an activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity. The operation required can be both concrete or abstract and the separation of head and hand does not make any difference to being in the zone. Instead of being a highly schematized and pre-patterned activity, a work-flow in this sense denotes an intuitive stream of thoughts and actions, of words and images, walking along a path of discovery.

Along the path of discovery, every certainty is turned into a question. Material is not known for what it is, but by what it does specifically when mixed with other materials, treated in particular ways, or placed in particular situations. As each artwork involves more than one voice, the author of a text is not the sole authority on its meaning. A word, chosen for one reason, brings with it additional layers of meaning.

In A Play with (Arts) Apes and Crafts, Wim Wauman envisions a playful artistic-academic scenario edited and arranged to illuminate the works in the WORK FLOW exhibition. Inspired by a literature study on craftsmanship and guided by his idiosyncratic imagination, the artist interweaves references to popular culture with numerous citations from academic publications, sociological studies, philosophic treatises and internet websites. Through quotes and questions, insights and opinions, Wauman shares his pursuit of knowledge, while blending in his artistic interests and personal concerns. It is a creative exercise in the development of an intellectual craftsmanship. An imaginative tangle of concepts, images and signs. A puzzle*.

 

*This project aims to seduce and challenge the spectator, arouse imaginative forces and stimulate autonomous reflection and reasoning. After all, we tend to believe that practice makes perfect and that reason, or what is associated with critical and reflexive thought, can move individuals closer to freedom.

The artificial dichotomy between head and hand, thinking and making and the contrast of rationalized production procedures with craftsmanship and more intuitive ways of making, echoes throughout the WORK FLOW project as it was developed by its initiator Wim Wauman in the context of his PhD research in visual arts at the Royal Academy of Fine Arts Antwerp.

This seminar is part of an ambitious project which comprises a curated group exhibition with works by 50 contemporary artists and a publication.

Contributions by:

  • Wim Wauman
  • Bert Schepers
  • Eric van Hove
  • Michael Petry

Venue: CC Sint-Niklaas (Tentoonstellingszaal Zwijgershoek)
Walk from the train station to location is 9 minutes.

Programme

Museumtheater, Zwijgershoek 14, Sint-Niklaas

  • 12:40  reception
  • 13:00  Wim Wauman (Artist/Curator/Researcher) – welcome and short introduction
  • 13:10  Bert Schepers (Art Historian) – Monkey Madness in Seventeenth-Century Antwerp (20’)
  • 13:30  Short break
  • 13:40  Eric van Hove (Artist): Towards a renaissance of African craft in Post-Fordist times. (60’)
  • 14:40  Break
  • 15:00  Michael Petry (Artist/Curator) - The Art of Not Making: the new artist-artisan relationship (60’)
  • 16:00  Short break
  • 16:10  Guided tour through the exhibition by Wim Wauman
  • 17:00  Drink 
  • 17:30  Closing

Partners

Royal Academy of Fine Arts Antwerp (AP)

Register

De deelname en toegang tot de tentoonstelling zijn gratis wanneer u geregistreerd bent.

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