On Beckett's works

Forthcoming

Little, James. The Making of Samuel Beckett's 'Not I' / 'Pas moi', 'That Time' / 'Cette fois' and 'Footfalls' / 'Pas'. University Press Antwerp & Bloomsbury, Winter 2021.

​Moorjani, Angela. Beckett and Buddhism. Cambridge University Press, August 2021.

Nixon, Mark, and Dirk Van Hulle, eds. The Oxford Handbook of Samuel Beckett. Oxford University Press, Autumn 2021.

Nugent-Folan, Georgina. The Making of Samuel Beckett's 'Company' / 'Compagnie'. University Press Antwerp & Bloomsbury, Summer 2021.

Verhulst, Pim. The Making of Samuel Beckett's Radio Plays. University Press Antwerp & Bloomsbury, Spring 2021.

2021

​Bailey, Helen and Will Davies, eds. Beckett and Politics. Palgrave Macmillan, 2021.

Ruda, Eva. Beckett and Dialectics: Be it Something or Nothing. Bloomsbury,  2021.

2020

Beloborodova, Olga. Postcognitivist Beckett. Cambridge University Press, 2020. 

​Byron, Mark. Samuel Beckett's Geological Imagination. Cambridge University Press, 2020.​

Chakraborty, Thirthankar and Juan Luis Toribio Vazquez, eds. Beckett as World Literature. Bloomsbury, 2020.  

​Davies, Will. Samuel Beckett and the Second World War: Politics, Propaganda and a 'Universe Become Provosional'. Bloomsbury, December 2020.​

Feldman, Matthew, and Steven Matthews. Samuel Beckett's 'Philosophy Notes'. Oxford University Press, Sep 2020.

Heron, Jonathan and Nicholas E. Johnson. Experimental Beckett: Contemporary Performance Practices. Cambridge University Press, 2020.

Ionica, Cristina. The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction: Revolutionary and Evolutionary Paradoxes. Palgrave Macmillan, 2020.

Little, James. Samuel Beckett in Confinement: The Politics of Closed Space. Bloomsbury, 2020.

Powell, Joshua. Samuel Beckett and Experimental Psychology. Bloomsbury, 2020.

​Rabaté, Jean-Michel. Beckett and Sade. Cambridge University Press, 2020.​

Whelan, Feargal. Beckett and the Irish Protestant Imagination. Ibidem Press, 2020.

Wimbush, Andy. Still: Samuel Beckett's Quietism. Ibidem Press, 2020.

2019

Beloborodova, Olga. The Making of Samuel Beckett's 'Play' / 'Comédie' and 'Film'. University Press Antwerp & Bloomsbury, June 2019.

Boulter, Jonathan. Posthuman Space in Samuel Beckett's Short Prose. Edinburgh University Press, 2019.

Brown, Llewellyn. Beckett, Lacan and the Gaze. Ibidem, 2019.

Cameron, David. Samuel Beckett: The Middle and Later Years. Greenwich Exchange, 2019.

Crépu, Michel. Beckett, 27 juillet 1982, 11h30. Arléa Editions, 2019. 

Gesvret, Guillaume. Beckett en échos: Rapprochements arts et littérature. Classiques Garnier, 2019.

Libera, Antoni, Janusz Pyda, Agnieszka Kolakowska. Dialogues on Beckett: Whatever Happened to God? Anthem Press, 2019.

Mével, Yann. Samuel Beckett et la culture française. Classiques Garnier, 2019. 

Pattie, David and Paul Stewart, eds. Pop Beckett: Intersections with Popular Culture. Ibidem, December 2019.

Rabaté, Jean-Michel, ed. The New Samuel Beckett Studies. Cambridge University Press, July 2019.

Sarkar, Jayjit. Illness as Method: Beckett, Kafka, Mann, Woolf and Eliot. Vernon Press, 2019. 

Shainberg, Lawrence. Four Men, Shaking: Searching for Sanity with Samuel Beckett, Norman Mailer, and My Perfect Zen Teacher. Shambhala Publications, July 2019.

2018

Ackerley, C. J., and Llewellyn Brown. 'Textes pour rien' / 'Texts for Nothing': Annotations. (Lettres modernes Minard, Samuel Beckett 5, 2018).

Ahlawat, Ila. The Gaze of the Caged Woman: Sexuality and Performance in Selected Beckett Plays. Peter Lang, 2018.

Beloborodova, Olga, Dirk Van Hulle and Pim Verhulst. Beckett and Modernism. Palgrave Macmillan, 2018.

Berrada-Berca, Lamia. Et vivre, Beckett? Le Temps qu'il fait, 2018.

Brown, Llewellyn, ed. 'Textes pour rien' / 'Texts for Nothing': Le corps de la voix impossible. (Lettres modernes Minard, Samuel Beckett 6, 2018).

Carville, Conor. Samuel Beckett and the Visual Arts. Cambridge University Press, 2018. 

Chattopadhyay, Arka. Beckett, Lacan and the Mathematical Writing of the Real. Bloomsbury, 2018. 

Chiang, Michelle. Samuel Beckett's Intuitive Spectator: Me to Play. Palgrave Macmillan, 2018.

Clément, Bruno. Beckett. Presses Universitaires Vincennes, 2018.

Coffey, Michael. Samuel Beckett Is Closed. Or Books, 2018.

Cordingley, Anthony. Samuel Beckett's How It Is: Philosophy in Translation. Edinburgh University Press, 2018.

Gay, Marie-Christine. Le théâtre 'de l’absurde' en RFA: Les oeuvres d’Adamov, Beckett, Genet et Ionesco outre-Rhin. De Gruyter, 2018.

Gontarski, S. E. Revisioning Beckett: Samuel Beckett's Decadent Turn. Bloomsbury, 2018.

Goudouna, Sozita. Beckett's Breath: Anti-Theatricality and the Visual Arts. Edinburgh University Press, 2018.

Gould, Thomas. Silence in Modern Literature and Philosophy: Beckett, Barthes, Nancy, Stevens. Palgrave Macmillan, 2018.

Knüppel, Katharina. Samuel Becketts Spuren im 21. Jahrhundert: Intermediale Transformationen in bildender Kunst und Choreographie. E-podium, 2018. 

Koczy, Daniel. Beckett, Deleuze and Performance: A Thousand Failures and A Thousand Inventions. Palgrave Macmillan, 2018.

Lawrence, Tim. Beckett's Critical Aesthetics. Palgrave Macmillan, 2018.

Louar, Nadia. Figure(s) du bilinguisme beckettien. Editions Classiques Garnier, 2018.

McNaughton, James. Samuel Beckett and the Politics of Aftermath. Oxford University Press, 2018.

Montalto, Sandro, and John Rugman. Beckett and Keaton: The Comic and the Angst. Chelsea Editions, 2018.

Nuzzo, Angelica. Approaching Hegel's Logic, Obliquely: Melville, Molière, Beckett. State University of New York Press, 2018.

Rastier, François. Mondes à l'envers: De Chamfort à Samuel Beckett. Classiques Garnier, 2018.

Smith, Stewart. Nietzsche and Modernism: Nihilism in Lawrence, Kafka and Beckett. Palgrave Macmillan, 2018.

Tajiri, Yoshiki, Mariko Hori Tanaka and Michiko Tsushima. Samuel Beckett and Trauma. Manchester University Press, 2018.

Tranter, Rhys. Beckett's Late Stage: Trauma, Language, and Subjectivity. Ibidem, 2018.

Tubridy, Derval. Samuel Beckett and the Language of Subjectivity. Cambridge University Press, 2018.

Van Hulle Dirk, and Pim Verhulst. The Making of Samuel Beckett's 'En attendant Godot'/'Waiting for Godot'. University Press Antwerp & Bloomsbury, 2018.

Van Hulle Dirk, and Shane Weller. The Making of Samuel Beckett's 'Fin de partie'/'Endgame'. University Press Antwerp & Bloomsbury, 2018.

2017

Asibong, Andrew, and Aude Campmas. Flaubert, Beckett, NDiaye: The Aesthetics, Emotions and Politics of Failure. Brill, 2017.

Bariselli, Michela, Niamh M. Bowe and William Davies. Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars, 2017.

Barron, Anthony. Against Reason: Schopenhauer, Beckett and the Aesthetics of Irreducibility. Ibidem Press, 2017.

Bates, Julie. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987. Cambridge University Press, Apr 2017.

Brown, Llewellyn, ed. La violence dans l'œuvre de Samuel Beckett: entre langage et corps. Lettres modernes Minard, Samuel Beckett 4, 2017. 

Clément, Sarah. Écritures avides: Samuel Beckett, Louis-René des Forêts, Thomas Bernhard. Classiques Garnier, 2017.

Einarsson, Charlotta P. A Theatre of Affect: The Corporeal Turn in Samuel Beckett's Drama. Ibidem, 2017.

Feldman, Matthew, Erik Tonning and David Addyman, eds. Samuel Beckett and BBC Radio: A Reassessment. Palgrave Macmillan, 2017.

Friedman, Alan Warren. Surreal Beckett: Samuel Beckett, James Joyce and Surrealism. Routledge, 2017.

Graham, Alan, and Scott Hamilton, eds. Samuel Beckett and the 'State' of Ireland. Cambridge Scholars, 2017.

Kiberd, Declan. After Ireland: Writing the Nation from Beckett to the Present. Harvard UP, 2017.

Koffi, Tiburce. En rencontrant Godot. Les Éditions du Panthéon, 2017. 

Langlois, Christopher. Samuel Beckett and the Terror of Literature. Edinburgh University Press, 2017.

Leeder, Nathalie. Freedom and Negativity in Beckett and Adorno. Rowman & Littlefield, 2017.

McGrath, John. Samuel Beckett, Repetition, and Modern Music. Routledge, 2017.

McTighe, Trish, and David Tucker, eds. Staging Beckett in Ireland and Northern Ireland. Methuen, 2017.

McTighe, Trish, and David Tucker, eds. Staging Beckett in Great Britain. Methuen, 2017.

​Moorjani, Angela, Danièle de Ruyter, and Sjef Houppermans, eds. Beckett in Conversation, “yet again’ / Rencontres avec Beckett, “encore” . Brill/Rodopi, 2017​

Morin, Emilie. Beckett's Political Imagination. Cambridge UP, 2017.

Naugrette, Catherine. Le Théâtre de Samuel Beckett. Ides et Calendes, 2017.

Nixon, Mark and Dirk Van Hulle. German Fever: Beckett in Deutschland. Deutsches Literatur Archiv, 2017. (Marbacher Magasin 158/159)

O'Reilly, Edouard Magessa, Dirk Van Hulle and Pim Verhulst. The Making of Samuel Beckett's Molloy. University Press Aantwerpen & Bloomsbury, 2017.

Paraskeva, Anthony. Beckett and Cinema. Bloomsbury, 2017.

Ratcliffe, Sophie. The Connoll Short Guide to Samuel Beckett's Waiting for Godot. Connoll Guides, 2017.

Reginio, Robert J., David Houston Jones, and Katherine Weiss, eds. Samuel Beckett and Contemporary Art. Ibidem, 2017.

Rose, Arthur. Literary Cynics: Borges, Beckett, Coetzee. Bloomsbury, 2017.

Sanchez Cordona, Luz Maria. Samuel Beckett electrónico: Samuel Beckett coclear. Juan Pablos, 2017.

Van Hulle, Dirk and Pim Verhulst. The Making of Samuel Beckett's 'Malone meurt'/'Malone Dies'. University Press Antwerp & Bloomsbury, 2017. 

2016

Anderton, Joseph. Beckett's Creatures: Art of Failure after the Holocaust. Bloomsbury, 2016.

Brown, Llewellyn. Beckett, Lacan and the Voice. Ibidem, 2016.

Bruzzo, François. Samuel Beckett: Landes, rives et rivages en 19 glanures ... au nom de la beauté. L'Harmattan, 2016. 

Durantaye, Leland de la. Beckett's Art of Mismaking. Harvard University Press, 2016.

Ernst, Gilles. Anglicans et catholiques chez Samuel Beckett: Essai sur une "contre-ecclésiologie". Honoré Champion, 2016.

Fluhrer, Sandra. Konstellationen des Komischen: Beobachtungen des Menschen bei Franz Kafka, Karl Valentin und Samuel Beckett. Wilhelm Fink, 2016.

Gontarski, S. E. Beckett Matters: Essays on Beckett's Late Modernism. Edinburgh UP, 2016.

Henrich, Dieter. Sein oder Nichts: Erkundungen um Samuel Beckett und Hölderlin. C.H.Beck, 2016.

Hillgärtner, Rüdiger. Samuel Becketts paradoxe Negativität in den Romanen Molloy, Malone Dies und The Unnamable. Peter Lang, 2016.

Lloyd, David. Beckett's Thing: Painting and Theatre. Edinburgh UP, 2016.

McTighe, Trish, and David Tucker, eds. Staging Samuel Beckett in Great Britain. Methuen, 2016.

McTighe, Trish, and David Tucker, eds. Staging Samuel Beckett in Ireland and Northern Ireland. Methuen, Jun 2016. 

Murphy, P. J., and Nick Pawliuk, eds. Beckett in Popular Culture: Essays on a Postmodern Icon. McFarland, 2016.

Protin, Matthieu. De la page au plateau: Beckett auteur-metteur en scène de son premier théâtre. Presses Sorbonne Nouvelle, 2016.

Rabaté, Jean-Michel. 'Think, Pig!' Beckett at the Limit of the Human. Fordham University Press, 2016.

Rosset, Barney. Dear Mr. Beckett: Letters from the Publisher. The Samuel Beckett File. Ed. Lois Oppenheim. Opus Books, 2016.

Sack, Daniel. Samuel Beckett's Krapp's Last Tape. Routledge, Fourth Wall Series, 2016.

Schäfer, Armin, and Karin Kröger, eds. Null, Nichts und Negation: Beckett's No-Thing. Transcript Verlag, 2016.

2015

Bernold, Andre. Beckett: A Friendship. Lilliput Press, 2015.  

Bianchini, Natka. Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett's American DIrector. Palgrave Macmillan, 2015.  

Birkett, Jennifer. Undoing Time: The Life and Work of Samuel Beckett. Irish Academic Press, 2015.

Carville, Conor, and Mark Nixon, eds. '"Beginning of the murmur": Archival Pre-texts and Other Sources'. Samuel Beckett Today / Aujourd’hui 27. Rodopi, 2015.

Feldman, Matthew. Falsifying Beckett: Essays on Archives, Philosophy, and Methodology in Beckett Studies. Ibidem-Verlag, 2015.

Feldman, Matthew, and Karim Mamdani, eds. Beckett / Philosophy. Ibidem-Verlag, 2015.

Furlani, Andre. Beckett after Wittgenstein. Northwestern University Press, 2015.

Gontarski, S. E. Creative Involution: Bergson, Beckett, Deleuze. Edinburgh UP, 2015.

Horchani, Faouzi. La raison et son double dans le théâtre de degré zéro: Ionesco, Beckett, Adamov. L'Harmattan, 2015. 

Hudhomme, Solveig. L'élaboration du mythe de soi dans l'oeuvre de Samuel Beckett. Brill, 2015.

Kleinberg-Levin, David. Beckett's Words: The Promise of Happiness in a Time of Mourning. Bloomsbury, 2015.

Miller, Ian. On Minding and Being Minded: Experiencing Bion and Beckett. Karnac Books, 2015.

Momro, Jakub. Literature of Consciousness: Samuel Beckett - Subject - Negativity. Peter Lang, 2015.

Pearson, Nels. Irish Cosmopolitanism: Location and Dislocation in James Joyce, Elizabeth Bowen, and Samuel Beckett. UP of Florida, 2015.

Restrepo, Esteban Restrepo. (anti)Chambres: Les architectures fragiles dans l’oeuvre de Samuel Beckett. Les presses du réel, 2015.

Shepherd-Barr, Kirsten E. Theatre and Evolution from Ibsen to Beckett. Columbia UP, 2015.

Tophoven, Erika. Godot hinter Gittern: Eine Hochstaplergeschichte. Verbrecher Verlag, 2015.

Van Hulle, Dirk, ed. The New Cambridge Companion to Samuel Beckett. Cambridge UP, 2015.

Van Hulle, Dirk. The Making of Samuel Beckett’s Krapp’s Last Tape / La Dernière bande. Bloomsbury / University Press Antwerp, 2015.

Wilmer, S. E., and Audrone Zukauskaite, eds. Deleuze and Beckett. Palgrave Macmillan, 2015.

2014

Axelrod, Mark. No Symbols Where None Intended: Literary Essays from Laclos to Beckett. Palgrave Pivot, 2014.

Bailes, Sara Jane and Nicholas Till, eds. Beckett and Musicality. Ashgate, 2014. 

Broomfield, Arthur. The Empty Too: Language and Philosophy in the Works of Samuel Beckett. Cambridge Scholars Publishing, 2014.

Connor, Steven. Beckett, Modernism and the Material Imagination. Cambridge UP, 2014.

Fort, Jeff. The Imperative to Write: Destitutions of the Sublime in Kafka, Blanchot and Beckett. New York: Fordham University Press, 2014.

Gontarski, S.E. The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh: Edinburgh University Press, 2014. 

Lauffer, David, and Geneviève Mathon, eds. Beckett et la musique. Presses universitaires de Strasbourg, 2014.

Tucker, David. A Dream and Its Legacies: The Samuel Beckett Theatre Project: Oxford c. 1967-76. Buckinghamshire: Colin Smythe, 2014.

Tucker, David, Mark Nixon and Dirk Van Hulle, eds. Revisiting Molloy, Malone meurt / Malone Dies, L’Innommable / The Unnamable. Samuel Beckett Today / Aujourd’hui 26. Amsterdam: Rodopi, 2014. 

Van Hulle, Dirk and Shane Weller. The Making of Samuel Beckett’s L’Innommable / The Unnamable. Bloomsbury / University Press Antwerp, 2014. 

Wehling-Giorgi, Katrin. Gadda and Beckett: Storytelling, Subjectivity and Fracture. Legenda, 2014.

2013

Bailey, Iain. Samuel Beckett and the Bible. London: Bloomsbury, 2013.  

Brown, Llewellyn, ed. Samuel Beckett 3: "les ‘dramaticules’”. Caen: Lettres modernes Minard, 2013. 

Bryden, Mary, ed. Beckett and Animals. Cambridge: Cambridge University Press, 2013.

Calder, John.  The Theology of Samuel Beckett . Richmond: Alma Classics, 2013.

Chattopadhyay, Arka and James Martell, eds. Samuel Beckett and the Encounter of Philosophy and Literature. London: Roman Books, 2013.

Chemi, Tatiana. In the Beginning Was the Pun: Comedy and Humour in Samuel Beckett’s Theatre. Aalborg: Aalborg University Press, 2013.

Chesney, Duncan McColl. Silence Nowhen: Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett. Peter Lang, 2013.

Craig, George. Writing Beckett’s Letters. Sylph Editions. The Cahiers Series, 2013.

Crimp, Catherine. Childhood As Memory, Myth and Metaphor: Proust, Beckett, Bourgeois. Legenda, 2013. 

Duerfahrd, Lance. The Work of Poverty: Samuel Beckett’s Vagabonds and the Theater of Crisis. Ohio State University Press, 2013.

Engelberts, Matthijs, Angela Moorjani, and Jürgen Siess, eds. Beckett in the Cultural Field / Beckett dans le champ culturel. (Samuel Beckett Today / Aujourd’hui 25). Amsterdam: Rodopi, 2013.

Fifield, Peter, David Addyman, and Yoshiki Tajiri, eds. Samuel Beckett: Debts and Legacies. London: Bloomsbury 2013. 

Fifield, Peter. Late Modernist Style in Samuel Beckett and Emmanuel Levinas. Hampshire: Palgrave Macmillan, 2013.

Ghosh, Ranjan. In Dialogue with Godot: Waiting and other Thoughts. Lanham: Lexington Books, 2013.

Gordon, David. Seven Literary Antithesists: From Diderot to Beckett. Roskilde: Eyecorner Press, 2013.

McTighe, Trish. The Haptic Aesthetic in Samuel Beckett’s Drama . Hampshire: Palgrave Macmillan, 2013.

Miller, Ian, and Kay Souter. Beckett and Bion; The (Im)Patient Voice in Psychotherapy and Literature. London: Karnac Books, 2013.

Nixon, Mark, and Dirk Van Hulle. Samuel Beckett’s Library.  Cambridge: Cambridge UP, 2013.

Nixon, Mark, and Jan Wilm, eds. Samuel Beckett und die deutsche Literatur . Bielefeld: Transcript, 2013.

Piat, Julien, and Philippe Wahl, eds. La prose de Samuel Beckett: Configuration et progression discursives. Lyon: Presses universitaires de Lyon, 2013

Risthaus, Peter, ed. Par Coeur: Einige Lehren Samuel Becketts. Bochum: Posth Verlag, 2013.

Tereszewski, Marcin. The Aesthetics of Failure: Inexpressibility in Samuel Beckett’s Fiction. Tyne and Wear: Cambridge Scholars Publishing.

Uhlmann, Anthony, ed. Samuel Beckett in Context. Cambridge: Cambridge UP, 2013.

2012

Bird, Dúnlaith, Danièle de Ruyter, Sjef Houppermans, and Angela Moorjani, eds. Early Modern Beckett / Beckett et le début de l'ère moderne. Amsterdam / New York: Rodopi, 2012. Samuel Beckett Today / Aujourd’hui 24.

Bolin, John. Samuel Beckett and the Modern Novel. Cambridge: Cambridge Univerity Press, 2012.

Carney, James, Leonard Madden, Michael O’Sullivan, and Karl White, eds. Beckett Re-Membered: After the Centenary. Newcastle upon Tyne: Cambridge Scholars, 2012.

Carpenter, Charles A. The Dramatic Works of Samuel Beckett: A Selective Bibliography of Publications about his Plays and their Conceptual Foundations. London: Continuum, 2012.

Chattopadhay, Arka, and James Martell, eds. Samuel Beckett and the Encounter of Philosophy and Literature. Roman Books, 2012.

Dinçel, Burç Idem. Last Tape on Stage in Translation: Unwinding Beckett's Spool in Turkey. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2012.

Gardner, Colin. Beckett, Deleuze and the Televisual Event. Basingstoke: Palgrave Macmillan, 2012.

Gontarski, S.E., ed. On Beckett. Essays and Criticism. Revised Edition. London: Anthem Press, 2012.

Gontarski, S.E., ed. The Beckett Critical Reader. Edinburgh: Edinburgh University Press, 2012.

Hori Tanaka, Mariko, Yoshiki Tajiri, and Michiko Tsushima, eds. Samuel Beckett and Pain. Amsterdam / New York: Rodopi, 2012.

Lemonnier-Texier, Delphine, Geneviève Chevallier, and Brigitte Prost, eds. L’Esthétique de la trace chez Samuel Beckett: É criture, représentation et mémoire . Rennes: PU Rennes, 2012.

Lozier, Claire. De l’abject et du sublime: Georges Bataille, Jean Genet, Samuel Beckett. Peter Lang, 2012.

Mannweiler, Caroline. L’éthique beckettienne et sa réalisation dans la forme. Amsterdam / New York: Rodopi, 2012.  

Poole, Adrian. Joyce, T.S. Eliot, Auden, Beckett: Great Shakespeareans. London: Continuum, 2012.

Salisbury, Laura. Samuel Beckett: Laughing Matters, Comic Timing. Edinburgh: Edinburgh UP, 2012.

Schenk-Haupt, Stefan. To and fro in shadow - by way of neither: Grundlegung der literarischen Hermeneutik am Beispiel der Werke Samuel Becketts. Peter Lang, 2012.

Terlemez, Serpilekin. Le théâtre innommable de Samuel Beckett. Paris: L’Harmattan, 2012.

Tucker, David. Samuel Beckett and Arnold Geulincx: Tracing ‘A Literary Fantasia’. London: Continuum, 2012.

Weiss, Katherine. The Plays of Samuel Beckett. London: Methuen Drama, 2012. Critical Companions.

2011

Beaujeu, Arnaud. Samuel Beckett: Trivial et spirituel. Le Langage dans les pièces théâtrales, radiophoniques et télévisuelles. Amsterdam: Rodopi, 2011. 

Bennett, Michael Y. Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet and Pinter. Basingstoke: Palgrace Macmillan, 2011. 

Brater, Enoch. Ten Ways of Thinking About Beckett: The Falsetto of Reason. London: Methuen, 2012.

Brown, Llewellyn, ed. Samuel Beckett 1: L’Ascèse du sujet.  Caen: Lettres modernes Minard, 2011. La Revue des lettres modernes.

Brown, Llewellyn, ed. Samuel Beckett 2: Parole, regard et corps. Caen: Lettres modernes Minard, 2011. La Revue des lettres modernes.

De Vos, Laurens. Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett. Madison: Farleigh Dickinson UP, 2011.

Dilks, Stephen John. Samuel Beckett in the Literary Marketplace. Syracuse: Syracuse University Press, 2011.

Houppermans, Sjef, Yann Mével, and Dominique Rabaté, eds. Filiations & Connexions / Filiations & Connecting Lines. Amsterdam / New York: Rodopi, 2011. Samuel Beckett Today / Aujourd’hui 23.

Houston Jones, David. Samuel Beckett and Testimony. Basingstoke: Palgrave Macmillan, 2011.

Jebb, Sharon. Writing God and the Self: Samuel Beckett and C.S. Lewis. Orlando: Pickwick, 2011.

Mooney, Sinéad. A Tongue Not Mine: Beckett and Translation . Oxford: Oxford UP, 2011.

Nixon, Mark, ed. Publishing Samuel Beckett. London: British Library, 2011.

Nixon, Mark. Samuel Beckett’s German Diaries, 1936-1937. London: Continuum, 2011.

Pilling, John. Samuel Beckett’s More Pricks Than Kicks: In a Strait of Two Wills. London: Continuum, 2011.

Ross, Ciaran. Beckett’s Art of Absence: Rethinking the Void. Basingstoke: Palgrave Macmillan, 2011.

Sick, Franziska. Raum und Objekt im Werk von Samuel Beckett. Bielefeld: Transcript, 2011.

Stewart, Paul. Sex and Aesthetics in Samuel Beckett's Work.  Basingstoke: Palgrave Macmillan, 2011.

Tophoven, Erika. Glückliche Jahre: Übersetzerleben in Paris, Gespräche mit Marion Gees. Matthes & Seitz Verlag, 2011.

Van Hulle, Dirk. The Making of Samuel Beckett’s Stirrings Still / Soubresauts and Commentdire / what is the word. Brussels: UP Antwerp, 2011.

2010

Beaujeu, Arnaud. Matière et lumière dans le théâtre de Samuel Beckett. Peter Lang, 2010.

Bernier, Frédérique. “La voie et l’os”: Imaginaire de l’ascèse chez Saint-Denys Garneau et Samuel Beckett. Montréal: PU de Montréal, 2010.

Caselli, Daniela, ed. Beckett and Nothing: Trying to Understand Beckett. Manchester: Manchester UP, 2010.

Cixous, Hélène. Zero’s Neighbour: Sam Beckett. Trans. Laurent Milesi. Cambridge: Polity Press, 2010.

Dubor, Françoise, and Anne-Céline Guilbard, eds. Beckett, le mot en espace: Autour du premier théâtre. Rennes: PU de Rennes, 2010.

Engelberts, Matthijs, Matthew Feldman, Erik Tonning, and Dirk Van Hulle, eds. Samuel Beckett: Debts and Legacies . Amsterdam / New York: Rodopi, 2010. Samuel Beckett Today / Aujourd’hui 22.

Gaudard, François-Charles, ed. Rimbaud, Beckett: Dossier “Mixages”. Toulouse: Editions Universitaires du Sud, 2010.

Gontarski, S.E. A Companion to Samuel Beckett. Chichester / Massachusetts: Wiley-Blackwell, 2010. 

Harvey, Robert. Witnessness: Beckett, Dante, Levi, and the Foundations of Responsibility. New York / London: Continuum, 2010.

Hayes, Patrick. J.M. Coetzee and the Novel: Writing and Politics after Beckett. Oxford: Uxford UP, 2010.

Kennedy, Seàn, ed. Beckett and Ireland. Cambridge: Cambridge UP, 2010.

Kim, Rina. Women and Ireland as Beckett's Lost Others: Beyond Mourning and Melancholia. Basingstoke: Palgrave Macmillan, 2010.

McMullan, Anna. Performing Embodiment in Samuel Beckett’s Drama. New York: Routledge, 2010.

Reid, James H. Proust, Beckett, and Narration. Cambridge: Cambridge UP, 2010.

Ricciolini, Maria. Samuel Beckett e la migrazione della parola. Roma, Aracne, 2010.

Shaw, Joanne. Impotence and Making in Samuel Beckett’s Trilogy Molloy, Malone Dies and The Unnamable and How It Is. Amsterdam: Rodopi, 2010.

Wasihun, Betiel. Gewollt – Nicht-Gewollt: Wettkampf bei Kafka: Mit Blick auf Robert Walser und Beckett. Heidelberg: Winter, 2010.

Weagel, Deborah. Words and Music: Camus, Beckett, Cage, Gould. New York: Lang, 2010.

West, Sarah. Say It: The Performative Voice in the Dramatic Works of Samuel Beckett. Amsterdam: Rodopi, 2010.

Yapaudjian-Labat, Cécile. Écriture, deuil et mélancolie: Les derniers textes de Samuel Beckett, Robert Pinget et Claude Simon. Paris: Garnier, 2010.

Bibliography of books on Beckett in Italian: http://www.samuelbeckett.it/biblio.htm

2009

Banier, François-Marie. Beckett. London: Steidl, 2009.

Barfield, Steven, Matthew Feldman, and Philip Tew, eds. Beckett and Death. London / New York: Continuum, 2009.

Berne, Marie. Eloge de l’idiotie: Pour une nouvelle rhétorique chez Breton, Faulkner, Beckett et Cortázar. Amsterdam: Rodopi, 2009. 

Bignell, Jonathan. Beckett On Screen: The Television Plays. Manchester: Manchester UP, 2009.

Bixby, Patrick. Samuel Beckett and the Postcolonial Novel. Cambridge: Cambridge UP, 2009.

Boxall, Peter. Since Beckett: Contemporary Writing in the Wake of Modernism. London: Continuum, 2009.

Brunet, Lynn. 'A Course of Severe and Arduous Trials’: Bacon, Beckett and Spurious Freemasonry in Early Twentieth-Century Ireland. Peter Lang, 2009.

Bryden, Mary, and Margaret Topping, eds. Beckett’s Proust / Deleuze’s Proust. Basingstoke: Palgrave Macmillan, 2009.

Campi, Ricardo. Samuel Beckett: Nel buio che illumina la mente. Naples: Liguori, 2009.

Caselli, Daniela. Beckett’s Dantes: Intertextuality in the Fiction and Criticism. Manchester: Manchester UP, 2009.

Feldman, Matthew, and Ulrika Maude, eds. Beckett and Phenomenology. London: Continuum, 2009.

Feldman, Matthew, and Mark Nixon, eds. The International Reception of Samuel Beckett. London: Continuum, 2009.

Gibson, Andrew. Samuel Beckett. London: Reaktion Books, 2009. Critical Lives.

Houppermans, Sjef, Matthijs Engelberts, Danièle de Ruyter, and Dirk Van Hulle. Where Never Before. Beckett’s Poetics of Elsewhere / La poétique de l’ailleurs . Amsterdam / New York: Rodopi, 2009. Samuel Beckett Today / Aujourd’hui 21.

Hubert, Marie-Claude, ed. Lectures de Samuel Beckett: En attendant Godot, Oh les beaux jours. Rennes: PU Rennes, 2009.

Jeffers, Jennifer M. Beckett’s Masculinity. New York: Palgrave Macmillan, 2009.

Kennedy, Seàn, and Katherine Weiss, eds. Samuel Beckett: History, Memory, Archive. New York: Palgrace Macmillan, 2009.

Maude, Ulrika. Beckett, Technology and the Body. Cambridge: Cambridge UP, 2009.

McMullan, Anna, and S.E. Wilmer, eds. Reflections on Beckett: A Centenary Celebration. Ann Arbor: U of Michigan P, 2009.

Morin, Emilie. Samuel Beckett and the Problem of Irishness. Basingstoke: Palgrave Macmillan, 2009.

Murphy, P.J. Beckett's Dedalus: Dialogical Engagements with Joyce in Beckett's Fiction. Toronto: U of Toronto P, 2009.

Murray, Christopher, ed. Samuel Beckett: Playwright and Poet. New York: Pegasus, 2009.

Oser, Lee. The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf and Beckett. Cambridge: Cambridge UP, 2009.

Sardin, Pascale. Samuel Beckett et la passion maternelle ou l’hystérie a l’oeuvre. Pessac: PU Bordeaux, 2009.

Taban, Carla. Modalités po(ï)étiques de configuration textuelle: Le cas de Molloy de Samuel Beckett. Amsterdam: Rodopi, 2009.

Veit, Carola. Kraft der Melone. Samuel Beckett im Kino. Berlin: Verbrecher, 2009.

Watt, Stephen. Beckett and Contemporary Irish Writing. Cambridge: Cambridge UP, 2009.

Wessler, Eric. La littérature face à elle-même: L’Écriture spéculaire de Samuel Beckett. Amsterdam: Rodopi, 2009.

White, Kathryn. Beckett and Decay. New York / London: Continuum, 2009.

2008

Ben-Zvi, Linda, and Angela Moorjani, eds. Beckett at 100: Revolving It All . Oxford: Oxford UP, 2008.

Boulter, Jonathan. Beckett: A Guide for the Perplexed. New York / London: Continuum, 2008.

Branigan, Kevin. Radio Beckett: Musicality in the Radio Plays of Samuel Beckett. Bern: Peter Lang, 2008.

Brown, Llewellyn. Beckett, les fictions brèves: Voir et dire.  Caen: Lettres modernes Minard, 2008.

Carvalho, Paulo Eduardo, and Rui Carvalho Homem, eds. Plural Beckett Pluriel: Centenary Essays / Essais d’un Centenaire . Porto: Flup e-Dita, 2008.

Carpentier, Alice. Théâtres d’ondes: Les pièces radiophoniques de Beckett, Tardieu et Pinter. Bruxelles: De Boeck, 2008.

Clément, Bruno, Sjef Houppermans, Minako Okamuro, Mori Naoya, Angela Moorjani, and Anthony Uhlmann, eds. Borderless Beckett / Beckett sans frontières . Amsterdam / New York: Rodopi, 2008. Samuel Beckett Today / Aujourd’hui 19. 

Farbman, Herschel. The Other Night: Dreaming, Writing, and Restlessness in Blanchot, Beckett and Joyce. New York: Fordham UP, 2008.

Gatti, Guido. Aspettare Godot? Tracce di speranza nei drammi di Samuel Beckett. Milano: Ancora, 2008.

Gendron, Sarah. Repetition, Difference, and Knowledge in the Works of Samuel Beckett, Jacques Derrida, and Gilles Deleuze. New York: Peter Lang, 2008.

Germoni, Karine, Matthijs Engelberts, Helen Penet-Astbury, and Danièle de Ruyter. Des éléments aux traces / Elements and Traces. Amsterdam / New York: Rodopi, 2008. Samuel Beckett Today / Aujourd’hui 20.

Gruzinska, Aleksandra, ed. New Interpretations in the History of French Literature: From Marie De France to Beckett and Cioran. Lewiston: Edwin Mellen, 2008.

Lawley, Paul. Waiting for Godot: Character Studies. New York / London: Continuum, 2008.

Mével, Yann.  L ' Imaginaire mélancolique de Samuel Beckett, de Murphy à Comment c' est.  Amsterdam / New York: Rodopi, 2008.

Oppo, Andrea. Philosophical Aesthetics and Samuel Beckett. Bern: Peter Lang, 2008. 

Ost, Isabelle. Samuel Beckett et Gilles Deleuze: Cartographie de deux parcours d'écriture. Brussels: Facultés Universitaires Saint-Louis, 2008.

Parisse, Lydie. La “parole trouée”: Beckett, Tardieu, Novarina. Caen: Minard, 2008.

Pothast, Ulrich. The Metaphysical Vision: Athur Schopenhauer's Philosophy of Art and Life and Samuel Beckett's Own Way to Make Use of It.  Bern: Peter Lang, 2008.

Schoell, Konrad. Über Samuel Becketts Werk: Essays und Studien. Kassel: Kassel UP, 2008.

Seibert, Peter, ed. Samuel Beckett und die Medien. Neue Perspektiven auf einen Medienkünstler des 20. Jahrhunderts . Bielefeld: Transcript, 2008.

Smith, Russell, ed. Beckett and Ethics. New York / London: Continuum, 2008.

Van Hulle, Dirk. Manuscript Genetics, Joyce's Know-How, Beckett's Nohow. Gainesville: UP of Florida, 2008.

2007

Baker, Berrie. Theatre Censorship in Honecker’s Germany: From Volker Braun to Samuel Beckett. Bern: Peter Lang, 2007. 

Besbes, Khaled. The Semiotics of Beckett’s Theatre: A Semiotic Study of the Complete Dramatic Works of Samuel Beckett. Florida: Universal Publishers, 2007.

Bohman-Kalaja, Kimberly. Reading Games: An Aesthetics of Play in Flann O’Brien, Samuel Beckett and Georges Perec. Illinois: Dalkey Archive Press, 2007.

Byron, Mark, ed. Samuel Beckett’s Endgame. Amsterdam: Rodopi, 2007.

Cerrato, Laura. Beckett: El primer siglo. Buenos Aires: Ediciones Colihue, 2007.

Croke, Fionnuala, ed. Samuel Beckett: A Passion for Paintings. Dublin: National Gallery of Ireland / Paul Holberton, 2007.

Dowd, Garin. Abstract Machines: Samuel Beckett and Philosophy After Deleuze and Guatarri. Amsterdam: Rodopi, 2007.

Feldman, Matthew, and Mark Nixon. Beckett's Literary Legacies. Newcastle: Cambridge Scholars, 2007.

Friedman, Alan W. Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett. Syracuse: Syracuse UP, 2007. 

Fries-Dieckman, Marion. Samuel Beckett und die Deutsche Sprache: Eine Untersuchung der deutschen Übersetzungen des Dramatischen Werks. Trier: Wissenschaftlicher Verlag, 2007.

Gibson, Andrew. Beckett and Badiou: The Pathos of Intermittency. Oxford: Oxford  UP, 2007.

Herren, Graley. Samuel Beckett's Plays on Film and Television.  Basingstoke: Palgrave Macmillan, 2007.

Iannotta, Antonio. Lo sguardo sottrato: Samuel Beckett e i media. Naples: Liguori, 2007.

Lassaad, Jamoussi. Le pictural dans l’oeuvre de Beckett: Approche poïétique de la choseté. Tunis: Sud, 2007.

Levy, Eric P. Trapped in Thought: A Study of the Beckettian Mentality. Syracuse: Syracuse UP, 2007.

McDonald, Ronan. The Cambridge Introduction to Samuel Beckett. Cambridge: Cambridge UP, 2007.

Mikami, Hiroko, Minako Okamura and Naoko Yagi. Ireland on Stage: Beckett and After. Carysfort Press, 2007.

Montini, Chiara. “La bataille du soliloque”: Genèse de la poétique bilingue de Samuel Beckett. Amsterdam: Rodopi, 2007.

Rathjen, Friedhelm. Beckett: Eine Einführung ins Werk. Scheessel: ReJoyce, 2006.

Schubert, Gesa. Die Kunst des Scheiterns: Die Entwicklung der kunsttheoretischen Ideen Samuel Becketts . Berlin: Lit, 2007.

Slade, Andrew. Lyotard, Beckett, Duras, and the Postmodern Sublime. Peter Lang, 2007.

Szafraniec, Asja. Beckett, Derrida, and the Event of Literature. Stanford: Stanford UP, 2007.

Tajiri, Yoshiki. Samuel Beckett and the Prosthetic Body: The Organs and Senses in Modernism. Basingstoke: Palgrace Macmillan, 2007.

Tonning, Erik. Samuel Beckett's Abstract Drama: Works for Stage and Screen 1962-1985.  Oxford: Peter Lang, 2007.

Van Hulle, Dirk, and Mark Nixon, eds. “All Sturm and no Drang.” Beckett and Romanticism. Beckett at Reading 2006 . Amsterdam / New York: Rodopi, 2007. Samuel Beckett Today / Aujourd’hui 18.

Wynands, Sandra. Iconic Spaces: The Dark Theology of Samuel Beckett’s Drama. Indiana: U of Notre Dame P, 2007.

2006

Ackerley, C. J. Obscure Locks, Simple Keys: The Annotated Watt. Tallahassee: Journal of Beckett Studies Books, 2006.

Angel-Perez, Elisabeth. Voyages au bout du possible: Les théâtres du traumatisme de Samuel Beckett à Sarah Kane. Paris: Klincksieck, 2006.

Barry, Elizabeth. Beckett and Authority: The Uses of Cliché. Basingstoke: Palgrave Macmillan, 2006.

Bernold, André. Becketts Freundschaft. Berlin: Berenberg, 2006.

Casanova, Pascale. Samuel Beckett: Anatomy of a Literary Revolution. London: Verso, 2006.

Derval, André, ed. En attendant Godot de Samuel Beckett (1952-1961). Paris: IMEC, 2007.

Dittrich, Lutz, Carola Veit, and Ernest Wichner. “Obergeschoss still closed”: Samuel Beckett in Berlin 1936/37. Berlin: Matthes & Seitz, 2006.  

Durozoi, Gérard. Samuel Beckett: Irremplaçable. Paris: Hermann, 2006.

Endres, Ria. Samuel Beckett und seine Landschaften: Essays. Aachen: Rimbaud, 2006.

Engelberts, Matthijs, Everett Frost, and Jane Maxwell, eds. “Notes diverse holo.” Catalogue of Beckett’s Diverse Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays . Amsterdam / New York: Rodopi, 2006. Samuel Beckett Today / Aujourd’hui 16.     

Feldman, Matthew. Beckett's Books: A Cultural History of the Interwar Notes. New York / London: Continuum, 2006.  

Geulincx, Arnold. Arnold Geulincx' Ethics. With Samuel Beckett’s Notes. Ed. Han van Ruler, Anthony Uhlmann and Martin Wilson. Trans. Martin Wilson. Amsterdam: Brill, 2006.

Glasmeier, Michael, and Gaby Hartel, eds. The Eye of Prey: Becketts Film-, Fernseh- und Videoarbeiten. Frankfurt am Main: Suhrkamp, 2006.

Gontarski, S.E., and Anthony Uhlman. Beckett After Beckett. Gainesville: UP of Florida, 2006. 

Houppermans, Sjef, ed. Présence de Samuel Beckett / Presence of Samuel Beckett. Amsterdam / New York: Rodopi, 2006. Samuel Beckett Today / Aujourd’hui 17.

Kozdon, Sabine. Memory in Samuel Beckett's Plays: A Psychological Approach.  Münster: LIT Verlag, 2006.

Léger, Nathalie. Les Vies silencieuses de Samuel Beckett. Paris: Allia, 2006.

Lommel, Michael. Samuel Beckett: Synästhesie als Medienspiel. München: Wilhelm Fink, 2006.

Maier, Franz Michael. Becketts Melodien. Die Musik und die Idee des Zusammenhangs bei Schopenhauer, Proust und Beckett, Wuerzburg: Koenigshausen und Neumann, 2006.

Migernier, Eric. Beckett and French Theory: The Narration of Transgression. New York: Lang, 2006.

Milz, Manfred. Samuel Beckett und Alberto Giacometti: Das Innere als Oberfläche. Ein ästhetischer Dialog im Zeichen schöpferischer Entzweiungsprozesse (1929-1936). Würzburg: Köningshausen & Neumann, 2006.

Mooney, Sinéad. Samuel Beckett. Tavistock: Northcote House, 2006.

Murray, Christopher, ed. Samuel Beckett: 100 Years. Dublin: New Island, 2006.

Piacentini, Gérard. Samuel Beckett mis à nu par ses auteurs, même: Essai sur le théâtre de Samuel Beckett. Saint-Genouph: Nizet, 2006.

Pilling, John. A Samuel Beckett Chronology. Basingstoke: Palgrave Macmillan, 2006.

Pittler, A. Samuel Beckett. München: Deutscher Taschenbuch Verlag, 2006.

Popovic Karic, Pol. Ironic Samuel Beckett: Samuel Beckett’s Life and Drama. Maryland: UP of America, 2007.

Quadflieg, Roswitha. Beckett Was Here: Hamburg in Tagebuch Samuel Becketts von 1936. Hamburg: Hoffman und Campe, 2006.

Rathjen, Friedhelm. Samuel Beckett. Hamburg: Rowohlt, 2006.

Risthaus, Peter, ed. Par Coeur: Einige Lehren Samuel Becketts. Bochum: Posth, 2006.

Souza, Ana Helena. A Tradução como um outro original: 'Como é' de Samuel Beckett.  ("Translation as an other original: How It Is by Samuel Beckett"). Rio de Janeiro: 7Letras, 2006.

Stewart, Paul. Zone of Evaporation: Samuel Beckett’s Disjunctions. Amsterdam: Rodopi, 2006.

Uhlmann, Anthony. Samuel Beckett and the Philosophical Image. Cambridge: Cambridge UP, 2006.

Weller, Shane. Beckett, Literature, and the Ethics of Alterity. Basingstoke: Palgrave Macmillan, 2006.

1999-2005

Ackerley, C. J. and S. E. Gontarski. The Grove Companion to Samuel Beckett: A Reader's Guide to His Works, Life, and Thought. New York: Grove/Atlantic, 2004.

Adelman, Gary. Naming Beckett's Unnamable. Lewisberg, PA: Bucknell University Press, 2004.

Albright, Daniel. Beckett and Aesthetics. Cambridge: Cambridge University Press, 2003.

Arsic, Branka. The Passive Eye: Gaze and Subjectivity in Berkeley (Via Beckett). Stanford, CA: Stanford University Press, 2003.

Badiou, Alain. On Beckett. Trans. Nina Power & Alberto Toscano. Manchester: Clinamen Press, 2003.

Bartillat, Christian de. Deux amis: Beckett et Hayden. Étrepilly: Les presses du Village, 2000.

Ben-Zvi, Linda, ed. Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Assaph Studies in the Theatre. Tel Aviv: Assaph Books, 2003. [contactanath@tauex.tau.ac.il]

Birkett, Jennifer, and Kate Ince, eds.  Samuel Beckett.  New York: Longman, 2000.

Blau, Herbert.  Sails of the Herring Fleet: Essays on Beckett.  Ann Arbor: University of Michigan Press, 2000.

Boulter, Jonathan. Interpreting Narrative in the Novels of Samuel Beckett. University Press of Florida, October 2001

Boxall, Peter, guest ed. Beckett/Aesthetics/Politics / Beckett/l'esthétique/la politique -- Samuel Beckett Today/Aujourd'hui 9, ed. Marius Buning, et al. Amsterdam & Atlanta: Rodopi, 2000.

Bradby, David. Beckett: "Waiting for Godot." Plays in Production. Cambridge: Cambridge University Press, 2001

Brater, Enoch. The Essential Samuel Beckett: An Illustrated Biography. London: Thames and Hidson, 2003.

Brater, Enoch. Beyond Minimalism: Beckett's Late Style in the Theater. Oxford: Oxford University Press, 2002 [reissue of 1987 edition]

Brockmeier, Peter. Samuel Beckett. Stuttgart: Verlag J. B. Metzler, 2001.

Bryden, Mary & Lance St. John Butler, guest eds., Beckett and Religion / Beckett et religion -- Samuel Beckett Today/Aujourd'hui 9, ed. Marius Buning, et al. Amsterdam & Atlanta: Rodopi, 2000.

Buning, Marius, Matthijs Engelberts, Sjef Houppermans, eds. Pastiches, Parodies, and Other Imitations. Vol 11 of Samuel Beckett Today/Aujourd'hui. Amsterdam: Rodopi, 2002.

Buning, Marius, Matthijs Engelberts, Sjef Houppermans, & Danièle de Ruyter-tognotti, eds. "Three Dialogues" Revisited. Vol 13 of Samuel Beckett Today/Aujourd'hui.Amsterdam: Rodopi, 2003.

Cascetta, Annemaria.  Il tragico et l'unorismo: Studio sulla drammaturgia di Samuel Beckett.  Florence: Le Lettere, 2000.

Caselli, Daniela. Beckett's Dantes: Intertextuality in the Criticism and Fiction. Manchester: Manchester University Press, 2005. 

Cerrato, Laura. Génesis de la poética de Samuel Beckett: apuntes para una teoria de la despalabra (Buenos Aires: Fondo de Cultura Economica, 1999.

Chawla, Nishi.  Samuel Beckett: Reading the Body in his Writing.  New Delhi: Prestige, 1999.

Cohn, Ruby.  A Beckett Canon.  Ann Arbor: University of Michigan Press, June 2001.

Collinge, Linda. Beckett traduit Beckett. De Malone meurt à Malone Dies, l'imaginaire en traduction . Genève: Droz, 2000.

Coots, Steve. Samuel Beckett: A Beginner's Guide. London: Hodder & Stoughton, 2001

Cousineau, Thomas. After the Final No: Samuel Beckett's Trilogy. Newark: University of Delaware Press; London: Associated University Presses, 1999.

Davies, Paul. Beckett and Eros: the Death of Humanism.  Houndmills: Macmillan, 2000.

Dukes, Gerry. Samuel Beckett. New York: Overlook Press, 2002.

Engelberts, Matthijs, Slef Houppermans, Yann Mével, and Michèle Touret, eds. L'Affect dans l'oeuvre beckettienne , Vol. 10 of Samuel Beckett Today/Aujourd'hui.Amsterdam & Atlanta: Rodopi, 2000.

Engelberts, Matthijs. Défis du récit scénique: formes et enjeux du mode narratif dans le théâtre de Beckett et de Duras. Geneva: Droz, 2001.

Engelberts, Matthijs, Marius Buning, and Sjef Houppermans, eds.  Poetry and Other Prose/Poesieset autres proses.  Volume 8 of Samuel Beckett Today/Aujourd'hui. Amsterdam: Rodopi, 1999.

Essif, Les. Empty Figure on an Empty Stage: the Theatre of Samuel Beckett and his Generation. Bloomington: Indiana University Press, 2001.

Ferrini, Jean-Pierre. Dante et Beckett. Paris: Hermann, 2003.

Fletcher, John. About Beckett: The Playwright and the Work. London: Faber & Faber, 2003

Fletcher, John. Samuel Beckett, "Waiting for Godot" / "Krapp's Last Tape" / "Endgame." London: Faber and Faber, 2000.

Friedman, Alan. Beckett in Black and Red: Samuel Beckett's Translations for Nancy Cunard's "Negro." Lexington, KY: University of Kentucky Press, 1999.

Godeau, Florence. Récits en souffrance. Paris: Editions Klimé, 2001.

Gontarski, S. E., ed. The Beckett Studies Reader. Gainesville: University Press of Florida.

Gordon, Lois. Reading "Godot." New Haven: Yale University Press, spring 2002

Haynes, John & James Knowlson. Images of Beckett. Cambridge: Cambridge University Press, 2003.

Heinemann, Paul. Potenzierte Subjekte -- Potenzierte Fiktionen: Ich-Figurationen und Ästhetische Konstruktion bei Jean Paul und Samuel Beckett. Würzburg: Königshausen & Neumann, 2001

Houppermans, Sjef. Samuel Beckett & Compagnie. Amsterdam: Rodopi, 2003.

Jeffers, Jennifer. Uncharted Space: The End of Narrative. Peter Lang, 2001.

Jones, David Houston. The Body Abject: Self and Text in Jean Genet and Samuel Beckett. Peter Lang, 2000.

Katz, Daniel. Saying "I" No More: Subjectivity and Consciousness in the Prose of Samuel Beckett. Evanston, IL: Northwestern University Press, 1999.

Keller, John. Samuel Beckett and the Primacy of Love. Manchester: Manchester University Press, 2003.

Kelley, Paul B. "Stories for Nothing": Samuel Beckett's Narrative Poetics. New York: Peter Lang, 2002.

Kundert-Gibbs, John L. No-Thing Is Left to Tell/Chaos Theory in the Dramatic Art of Samuel Beckett. Madison, NJ: Fairleigh Dickenson University Press, 1999.

Lane, Richard J., ed. Beckett and Philosophy. New York: Palgrave, 2002

Levy, Shimon. Samuel Beckett's Self-Referential Drama: the Sensitive Chaos. 2nd revised edition. Brighton: Sussex Academic, 2002.

Libera, Antoni. Samuel Beckett: Wiernosc prezgranej. Krakow: Wydanictwo Znak, 1999.

Lüscher-Morata, Diane. La Souffrance portée au langage dans la prose de Samuel Beckett. Amsterdam: Rodopi, 'Faux Titre 266', 2005.

Marvel, Laura, ed. Readings on "Waiting for Godot." Literary Companion Series. Farmington Hills, MI: Greenhaven Press, 2001.

Mitchel, Breon & Lois More Overbeck, eds. Word and Image: Samuel Beckett and the Visual Text/Mot et image: Samuel Beckett et le texte visuel.  Atlanta: Robert W. Woodruff Library, Emory University,1999.  [for copies, contact Druid Hills Bookstore, Atlanta]

Moorjani, Angela, & Carola Veit, eds. Samuel Beckett: Endlessness in the Year 2000 / Fin sans fin en l'an 2000. Volume 11 of Samuel Beckett Today/Aujourd'hui.Amsterdam: Rodopi, 2001

Oppenheim, Lois, ed. Palgrave Advances in BeckettStudies. London: Palgrave Macmillan, 2004.

Oppenheim, Lois, ed. Samuel Beckett and the Arts: Music, Visual Arts and Non-Print Media. New York: Garland, 1999.

Oppenheim, Lois.  The Painted Word: Beckett's Dialogue with Art.  Ann Arbor: University of Michigan Press, April 2000.

O'Reilly, Edouard Magessa, ed. Samuel Beckett,"Comment c'est" "How It Is" and/et "L'image: A Critical-Genetic Edition / une Édition critic(o)-génétique. New York: Garland, 2001.

Pattie, David. The Complete Critical Guide to Samuel Beckett. London: Routledge, 2001.

Rathjen, Friedhelm. weder noch. Aufsätze zu Samuel Beckett. Scheeßel: Edition ReJoyce, 2005.

Ross, Ciaran. Aux frontières du vide. Beckett: une écriture sans Mémoire ni désir. Amsterdam/New York: Rodopi, 2004.

Sardin-Damestoy, Pascale. Samuel Beckett autotraducteur ou l'art de l'empêchement. Collection Traductologie. Arras: Artois Presses Université, 2002.

Schweiger, Hannes. Failing better: Die Rezeption Samuel Becketts in Österreich. Peter Lang, 2005.

Smith Frederik N. Beckett's Eighteenth Century. London: Palgrave, 2002.

Sussman, Henry and Christopher Devenney, eds.  Engagement and Indifference: Beckett and the Political.  Albany: State University of New York Press, 2000.

Tsushima, Michiko. The Space of Vacillation: The Experience of Language in Beckett, Blanchot, and Heidegger. New York: Peter Lang, 2003.

Uhlmann, Anthony. Beckett and Poststructuralism. Cambridge & New York: Cambridge University Press, 1999.

Veit, Carola. Ich-Konzept und Körper in Becketts dualen Konstruktionen. Berlin Weidler Uhlmann, Anthony, Sjef Houppermans, Bruno Clément (eds.). After Beckett / D'après Beckett. msterdam/New York: Rodopi, 2004

Van Hulle, Dirk, ed. Beckett the European. Tallahassee: Journal of Beckett Studies Books, 2005.

Veit, Carola. Ich-Konzept und Körper in Becketts dualen Konstruktionen. Berlin Weidler Buchvertag, 2002.

Weller, Shane. A Taste for the Negative: Beckett and Nihilism. Oxford: Legenda, 2004.

Wesberg, David.  Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel.  Albany: State University of New York Press, 2000.

Worth, Katharine. Samuel Beckett's Theatre: Life Journeys. London: Oxford University Press, 2001. [Paperback re-issue]

1995-1998

Abbott, H. Porter. Beckett Writing Beckett: The Author in the Autograph. Ithaca: Cornell University Press, 1996.

Acheson, James. Samuel Beckett's Artistic Theory and Practice: Criticism, Drama, and Early Fiction. New York: St. Martin's Press, 1997.

Andonian, Cathleen C., ed. The Critical Response to Samuel Beckett. Westport, CT: Greenwood, 1998.

Badiou, Alain. Beckett. L'increvable désir. Coup double. Hachette. Paris, 1995.

Becher, Frank. Keine Versohnung mit dem Nichts: Zur Rezeption von Samuel Beckett in der DDR. New York: Peter Lang, 1997.

BECKETTIANA. Cuadernos del Seminario Beckett (Universidad de Buenos Aires), No. 4, 1995.

Begam, Richard. Samuel Beckett and the End of Modernity. Stanford: Stanford University Press, 1996.

Breuer, Rolf and Werner Huber, eds. A Checklist of Beckett Criticism in German. Paderborn: Schoningh, 1996.

Brockmeier, Peter, and Carola Veit, eds. Komik ultar, Gonul. Technique and Tradition in Beckett's Trilogy of Novels. Lanham,MD: University Press of America, 1996.

Rathjen, Friedhelm. Samuel Beckett und Sein Fahrrader. Dramstadt: Verlag Jurgenhausser, 1996.

Stevens, Richard. The Insanity of Beckett's Art. Parker, CO: Parker Distributing, 1997.

Tonnies, Merle. Samuel Beckett's Dramatic Strategy: Audience Laughter and the Postmodernist Debate. Trier, GER: WVT Wissenschaftlicher Verlag, 1997.

Touret, Lectures de Beckett. Rennes: Presses Universitaires de Rennes, 1998.