Curating modernity : Cornelia B. Sage, temporary exhibitions, and the making of the Albright Art Gallery (1910–24)
Source
Early women curators : making the museum in the twentieth century / Anguix-Vilches, L. [edit.]; Esner, R. [edit.]-p. 205-219
Musealisation and meaning making : the evolution of the Musée Constantin Meunier
Source
Spaces of Belgian culture: the public, the private, and strategies of identification (c.1850-c.1920) / Bauer, D. [edit.]; et all. [edit.]-p. 185-203
Repositioning academic art in didactic contexts : the Belgian Prix de Rome collection at the Royal Academy of Fine Arts Antwerp
Source
Journal of the history of collections - ISSN 0954-6650-38:1 (2026) p. 107-122
Humor op de muren: Karikaturen in de Koninklijke Academie voor Schone Kunsten
Source
Antwerpen, Universiteit Antwerpen, Faculteit Ontwerpwetenschappen, 2026,
Archives and access : digital strategies to re-evaluate ‘collection museums’ and their diverse histories
Source
Collecting and access / Bracken, S. [edit.]; et al. [edit.]-p. 113-130