2020

Jonckheere, Evelien and Kurt Vanhoutte, 'Spirits in the fairground. Métempsycose and its After-Images', in The Magic Lantern at Work Witnessing, Persuading, Experiencing and Connecting, ed. by Martyn Jolly and Elisa deCourcy (Routledge, 2020), pp. 32-46

Jonckheere, Evelien, 'Een cultuurbeleid in functie van de Vlaamse "volksziel"?', in Vlaanderen excelleert?! Retteketet, tableau vivant van een verzet, ed. by Robrecht Vanderbeeken and Ine Hermans (Antwerpen: EPO, 2020), 99-105

Kessler, Frank and Sabine Lenk, 'Projecting Faith: French and Belgian Catholics and the Magic Lantern Before the First World WarMaterial Religion, 16.1 (2020), 61-83

Lenk, Sabine, 'Farbtraditionen bei Laterna magica und im Stummfilm', in Montage AV, 29.2 (2020), 37-56

Lenk, Sabine and Nelleke Teughels, 'Spreken met licht. Magische projectieplaatjes', Koorts. Erfgoedmagazine van KADOC, 1 (2020), 4-9

Lenk, Sabine, 'Re-use practices, the classical canon and out-of-canon slides', in A Million Pictures: Magic Lantern Slides in the History of Learning. KINtop Studies in Early Cinema 6, ed. by Frank Kessler and Sarah Dellmann (New Barnet: John Libbey Publishing, 2020), pp. 193-203

Van Hassel, Marte, 'Als de Mekong zou spreken', Rekto:Verso online magazine, 29 June 2020, www.rektoverso.be/artikel/de-reincarnatie-van-het-verleden

Vanhoutte, Kurt, 'Re-enactment and the Magic Lantern Performance: Possessed by History', in A Million Pictures: Magic Lantern Slides in the History of Learning. KINtop Studies in Early Cinema 6, ed. by Sarah Dellmann and Frank Kessler (New Barnet: John Libbey Publishing, 2020), pp. 251-62

Wils, Kaat, 'A war to learn from. Commemorative practices in Belgian Schools after World War I', in Revival after the Great War. Rebuild, Remember, Repair, Reform, ed. by Luc Verpoest and others (Leuven: Leuven University Press, 2020), pp. 176-93

Wynants, Nele, 'Dissolving Visions: from Slide Adaptation to Artistic Appropriation in Magic Lantern Practices', in A Million Pictures: Magic Lantern Slides in the History of Learning. KINtop Studies in Early Cinema 6, ed. by Sarah Dellmann and Frank Kessler (New Barnet: John Libbey Publishing, 2020), pp. 263-74

Wynants, Nele, 'Spectacular Science: Technology, Experience and Pleasure at the 19th century Fair', in OVERLAP: The Borderland between Art & Science, ed. by Ann Bessemans and others (Den Haag: Komma, 2020), pp. 19-31

Wynants, Nele, 'Wetenschap op de kermis: de verspreiding van technologie, kennis en spektakel in Belgische provinciesteden tijdens het fin-de-siècle', Volkskunde, 1 (2020), 1-33

2019

Buelens-Terryn, Margo, 'Lichtbeelden voor de massa. Toe-eigening en gebruik van de toverlantaarn in Antwerpen en Brussel (c. 1860-1920)', Stadsgeschiedenis, 14.2 (2019), 122-36

Carels, Edwin, 'Cinema’s Savoyards: Performativity and the Legacy of the Magic Lantern', in Media Archaeology and Intermedial Performance:Deep Time of the Theatre, ed. by Nele Wynants (London: Palgrave Macmillan, 2019), pp. 213-32

Jonckheere, Evelien, 'Luminous Fountains and Fairies: Fin-de-siècle Colourful Lighting Techniques and Mutating Scenography', Documenta, 37.2 (2019), 44-67

Jonckheere, Evelien and Kurt Vanhoutte, 'Métempsycose as attraction on the fairground: the migration of a ghost', Early Popular Visual Culture, 17.4 (2019), 261-78, doi.org/10.1080/17460654.2019.1667645

Kessler, Frank and Sabine Lenk, 'Performing Innovation: Exhibiting Media as Novelty and Spectacle at World Fairs 1893-1904', in Exposing the Moving Image. The Cinematic Medium Across World Fairs, Art Museums and Cultural Exhibitions, ed. by Diego Cavalotti, Simone Dotto, and Andrea Mariani (Mimesis Edizioni 16, 2019), 23-32

Kessler, Frank and Sabine Lenk, 'The Kinoreformbewegung in Germany: Creating an Infrastructure for Pedagogical Screenings', in The Institutionalization of Educational Cinema, ed. by Marina Dahlquist and Joel Frykholm (Indiana University Press, 2019), 36-54

Lenk, Sabine and Frank Kessler, 'Fighting the enemy with the lantern: how French and Belgian Catholic priests lectured against their common laic enemies before 1914', Early Popular Visual Culture, 17.1 (2019), 89-111, doi.org/10.1080/17460654.2019.1641971

Lenk, Sabine and Frank Kessler, '"Rendre réel aux yeux du public" - Stage Craft, Film Tricks, and the Féerie', in Media Archaeology and Intermedial Performance: Deep Time of the Theatre, ed. by Nele Wynants (London: Palgrave Macmillan, 2019), 83-98

Moens, Bart, 'The Luminous Colours of the Magic Lantern: Shedding Light on the Palette of Life Model Slides', Documenta, 37.2 (2019), 13-43

Van Hassel, Marte, 'Bewaren om te vergeten', Rekto:Verso online magazine, 18 October 2019, https://www.rektoverso.be/artikel/bewaren-om-te-vergeten [English version: 'Preserving to forget', https://www.rektoverso.be/artikel/preserving-to-forget]

Van Hassel, Marte, 'Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché (1800–1914)', Journal for Media History, 22.1 (2019), 112–14

Van Hassel, Marte, 'Listening as a critique. Towards a methodology on absent presences in research on coloniality', Documenta, 37.1 (2019), 144-67

Vanhaesebrouck, Karel, 'Deep Space or the Re-invention of Scenography: Jozef Wouters on Infini 1-15', in Media Archaeology and Intermedial Performance: Deep Time of the Theatre, ed. by Nele Wynants (London: Palgrave Macmillan, 2019), pp. 115-26

Vanhoutte, Kurt, 'Performing Astronomy: The Orrery as Model, Theatre and Experience', in Media Archaeology and Intermedial Performance:Deep Time of the Theatre, ed. by Nele Wynants (London: Palgrave Macmillan, 2019), pp. 145-72

Wynants, Nele, 'Media-Archaeological Approaches to Theatre and Performance: An Introduction', in Media Archaeology and Intermedial Performance: Deep Time of the Theatre, ed. by Nele Wynants (Palgrave Macmillan, London, 2019), pp. 1-19

Wynants, Nele, 'Mediated Visions of Life: An Archaeology of Microscopic Theatre', in Media Archaeology and Intermedial Performance: Deep Time of the Theatre, ed. by Nele Wynants (London: Palgrave Macmillan, 2019), pp. 253-72

Wynants, Nele, 'Soma, of de verbeelding van het lichaam: Oona Libens' wetenschappelijk schaduwtheater' (review), FORUM+ voor onderzoek en kunsten / for research and arts, 26.1 (2019), 86-89

Wynants, Nele, 'The travelling lantern: the Courtois and Grandsart-Courtois family theatres as transcultural mediators at the nineteenth-century fair', Early Visual Popular Culture, 17.3-4 (2019), 233-60

2018

Kessler, Frank and Sabine Lenk. 'Magie spectaculaire: pour une esthétique de l’émerveillement', in Machines. Magie. Médias, ed. by Frank Kessler, Jean-Marc Larrue, and Giusy Pisano (Villeneuve-d'Ascq: Les Presses Universitaires du Septentrion, 2018) 
 
Kessler, Frank and Sabine Lenk, '"... no solo para contar, sino también para mostrar, para mostrar mucho ..." La linterna mágica como herramienta de enseñanza en la h, storia del arte alrededor de 1900', Fonseca: Journal of Communication, 16 (June 2018), 46-58, doi.org/10.14201/FJC2018164-658EN

Lenk, Sabine, 'De Robert Vrielynck collectie: Een "imaginair museum rond het bewegend beeld”', Tijd-Schrift. Heemkunde en lokaal-erfgoedpraktijk in Vlaanderen, 8.1 (2018), 126-31

Lenk, Sabine, 'How to digitise slides. Recommendations and working lists for the reproduction of a very special artefact', https://a-million-pictures-recommendations.wp.hum.uu.nl, May 2018 
 
Vanhoutte, Kurt and Nele Wynants, 'Magie, science et apparences: le théâtre d’Henri Robin', in Machines. Magie. Médias, ed. by Frank Kessler, Jean-Marc Larrue, and Giusy Pisano (Villeneuve-d'Ascq: Les Presses Universitaires du Septentrion, 2018)
 
Wynants, Nele, 'Julie and the Grandsart-Courtois theatre: A Family Affair', The Magic Lantern 16 (September 2018), 10-11