Research Piraye Hacigüzeller

Abstract

Historical maps are not only unique heritage objects but also containers of precious data on the evolution of the cultural and natural landscape. From the 16th century onwards, in present-day Belgium, handwritten local maps were produced in great numbers, followed by the famous Ferraris and printed Vandermaelen map series, as well as large numbers of large or medium scale cadastral maps. What is left of this unique heritage is dispersed over public and private collections, making users of digital historical maps struggle to use these maps to their full potential. Artemis is convinced that this wealth of detailed maps and map series has great potential to investigate landscapes, their evolution over time and their possible future(s) - a potential that could be used in varying fields of research such as Historical Geography, Ecology (biodiversity and water management) and Spatial Planning. Artemis aims to process, digitally enrich, make available and valorize well-defined corpora of both handwritten and printed maps before ca. 1880, using state of the art extraction techniques - as automated localization, toponym recognition and (landscape) feature extraction - with in finality, publication in a IIIF-enabled Linked Open Data Research Infrastructure. The project joins forces of both the University of Antwerp and Ghent University, backed up by the main Belgian map collection holders (ARA/KBR/NGI), focussing on the Scheldt River Valley which connects Antwerp to Ghent.

Researcher(s)

• Promoter: Jongepier Iason
• Co-promoter: De Block Greet
• Co-promoter: Hacigüzeller Piraye
• Co-promoter: Soens Tim
• Co-promoter: Temmerman Stijn

Research team(s)

• Centre for Urban History

Project type(s)

• Research Project

Abstract

Digital data curation for cultural heritage has reached a critical impasse. A central tension exists between the need to preserve cultural resources, and the dynamic potential for their use and re-use in democratic and just ways. In archaeology, much work has been done to make data Findable, Accessible and Interoperable (according to the FAIR Principles), but little is understood about whether data are Reusable–and by whom. TEtrARCHs argues the future of digital curation depends upon reconciling this divide, and aims to demonstrate that data optimised for ethical and emotive storytelling will provide the bridge between those who find or preserve heritage assets, and the diverse cross-European audiences for whom they might generate meaning. Through an interdisciplinary team of archaeological specialists, data scientists, and museum practitioners, collaborating with three key user groups–domain experts, creative practitioners, and memory institutions–TEtrARCHs will offer those who capture, curate and apply cultural heritage data with critically-aware workflows to prepare their data for enhanced re-use at every point in the data lifecycle (e.g., capture, mapping, lab-based analysis), then scenario-test such re-use through the dissemination of new narrative outputs authored by cross-European creative practitioners. The project embraces three scales of data collection in archaeology–landscape, site and artefact–exploring them via four increasingly ubiquitous technologies for data capture: airborne LiDAR, 3D scanning, digital field drawing and photography. Alongside novel workflows for field, post-excavation and archival practice, TEtrARCHs will produce the world's first controlled vocabulary for cultural heritage storytelling, the first assessments of data reuse effectiveness following ISO Standard 25022: Measurement of Quality in Use, and the first best practice recommendations for trusted digital repositories to optimise archaeological data for re-use.

Researcher(s)

• Promoter: Verreyke Hélène
• Co-promoter: Hacigüzeller Piraye

Research team(s)

• Antwerp Cultural Heritage Sciences (ARCHES)

Project website

Project type(s)

• Research Project