James Harvey (2023). John Akomfrah
Source
Film-philosophy - ISSN 1466-4615-29:2 (2025) p. 512-515
Voir sans limites: sciences, techniques et esthétiques des origines
Source
Sesto San Giovanni, Editions Mimesis, 2025,148 p.
Sloppy immersion : on the potential of emersion-as-immersion in the work of Sisters Hope and Lena Bondeson
Source
Dramaturgies of immersion : analysing poetics of immersion and emersion /Szatkowski, Janek [edit.]; et al. [edit.]-p.
The artist biopic and posthuman feminism: Maudie (2016) as ‘bio-zoe-geo-pic’
Source
Adaptation - ISSN 1755-0645-18:1 (2025) p.
Hearing images lie : the girl chewing gum
Source
Talking Shorts- (2025.03.20) p.
A gathering place for outlaws: Fugitive Cinema’s alternative film distribution
Source
Historical journal of film, radio and television - ISSN 0143-9685-45:1 (2025) p. 143-167
Discourses of cultural diversity and inclusion in film policy : the case of Flanders (2002–2022)
Source
European journal of cultural studies - ISSN 1367-5494-28:2 (2025) p. 306-325
Cinema between monochrome painting and light vibrations : Essentieel (1964) by Jef Verheyen and Paul De Vree
Source
Studies in European cinema - ISSN 1741-1548-22:1 (2025) p. 32-46
Introduction - The cinema models of Marcel Broodthaers
Source
Marcel Broodthaers and film: a second of eternity / Jacobs, Steven [edit.]; Wollaert, Raf [edit.]-p. 11-62
Broodthaers, Bentham, and Pygmalion: figures of wax (1974)
Source
Marcel Broodthaers and film: a second of eternity / Jacobs, Steven [edit.]; Wollaert, Raf [edit.]-p. 207-220