Poetics of Belgian post-war documentary film through the prism of Expo 58

Source
Antwerp, University of Antwerp & University of Namur, 2026,XVI, 453 p.
Author(s)

Meeting another Waterloo: Edmond Bernhard and the “metaphysical subversion of the tourist film”

Source
Cinema in Post-War Belgium: Rebuilding Screens and Identities, 1944-1967 / Willems, G. [edit.]; Gabriels, B. [edit.]; Rochet, B. [edit.]-p. 281-297
Author(s)

A royal zero hour?: Belgian King Leopold III and SS officer Ernst Schäfer making Masters of the Congo Jungle (1958)

Source
Cinema in Post-War Belgium: Rebuilding Screens and Identities, 1944-1967 / Willems, G. [edit.]; Gabriels, B. [edit.]; Rochet, B. [edit.]-p. 339-360
Author(s)

Introduction : cinema in post-war Belgium

Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 17-56
Author(s)

From national to regional film support : Belgian film production policy in the post-war era (1945-1967)

Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 59-73
Author(s)

Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961

Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 171-187
Author(s)

Tracing the origins of Fugitive Cinema

Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 239-256