Abigail Newman

Academisch medewerker

Foto ID

Over Abigail Newman

Ph.D. Princeton University, Princeton, NJ, USA, 2016

M.A. Princeton University, Princeton, NJ, USA, 2011

B.A. Brown University, Providence, RI, USA, 2006

Publicaties

Rubens’s St. Andrew “de los Flamencos”: Altarpiece Enframed by a Spanish-Flemish Community=Altaarstuk omkaderd door een Spaans-Vlaamse gemeenschap, trans. Erik Tack (Antwerp: Rubenshuis/BAI, 2018).

“‘Tan universal aplauso’: Communal Praise in Seventeenth-Century Madrid.” Netherlandish Art and Luxury Goods in Renaissance Spain (Turnhout: Brepols, 2018). Ed. by Daan van Hesch, et al.

“Paul de Vos et ses collaborations: Les féroces combats d’animaux mis en scène par des artistes pacifiques” [Fighting Animals, Peaceful Artists: Paul de Vos’ Paintings and Professional Collaborations], trans. C. Fort. Les peintres animaliers flamands au XVIIe siècle (Cassel: Musée de Flandre, 2016): 57-65.

“Netherlandish Artists and the Marketing of ‘Flemishness’ in Madrid.” De zeventiende eeuw 31.1 (2015): Art on the Move: 78-100. Ed. by Karolien De Clippel, Eric Jan Sluijter, and Filip Vermeylen.

Review of Aneta Georgievska-Shine and Larry Silver, Rubens, Velázquez, and the King of Spain (2014) in Historians of Netherlandish Art Review of Books (2015): http://www.hnanews.org/hna/bookreview/current/vl_georgievska-shine0215.html.

“Bosch’s Disparates in Seventeenth-Century Spanish Collections.” Jheronimus Bosch. His Patrons and his Public (’s-Hertogenbosch: Jheronimus Bosch Art Center, 2014): 172-88. Ed. by Jos Koldeweij and Jo Timmermans, et al.

“Juan de la Corte: ‘Branding’ Flanders Abroad.” Nederlands kunsthistorisch jaarboek 63 (2014): Art and Migration. Netherlandish Artists on the Move, 1400-1750: 265-301. Ed. by Frits Scholten, Joanna Woodall, and Dulcia Meijers.

“‘Small Matters’: Painting and Perceiving Flemish and Spanish Figures and their Surroundings.” The Visual Arts in Early Modern Europe. Central European and American Perspectives (Brno: Masaryk University – Princeton University, 2013): 75-93. Ed. by Ondřej Jakubec.

“Revisiting Hans von Aachen’s Moses Parting the Red Sea in Princeton.” Hans von Aachen in Context: Proceedings of the International Conference, Prague, 22-25 September 2010 (Prague: Artefactum, 2012): 134-40. Ed. by Lubomír Konečný and Štěpán Vácha.

With Kenneth E. Silver, Paris Portraits: Artists, Friends, and Lovers (London: Yale University Press, 2008).

Contributed to Peter C. Sutton, et al., Reclaimed: Paintings from the Collection of Jacques Goudstikker (London: Yale University Press, 2008).

With Peter C. Sutton, et al., Fakes and Forgeries: The Art of Deception (Greenwich, CT: Bruce Museum, 2007).

“Witch Images: Collections of Knowledge, Moralizing Scenes and Depictions of Erotica.” The Collegiate Journal of Art: A Dartmouth Undergraduate Publication II (fall 2005): 28-44.

(als co-redacteur of vertaler)

Abigail D. Newman and Lieneke Nijkamp, eds. (Un)dressing Rubens: Fashion and Painting in Seventeenth-Century Antwerp (Turnhout, Belgium: Harvey Miller Publishers, Brepols, forthcoming).

Koen Bulckens, trans. (from Dutch) Abigail D. Newman, The Ministry of Christ, Corpus Rubenianum Ludwig Burchard (CRLB), vol. V.2 (Turnhout, Belgium: Harvey Miller Publishers, Brepols, 2017).

Alexis Merle du Bourg, trans. (from French) Jane MacAvock and Abigail D. Newman, The Henri IV Series, CRLB, vol. XIV.2 (Turnhout, Belgium: Harvey Miller Publishers, Brepols, 2017).

Statuut & functies

Zelfstandig academisch pers.
  • docent
Bijzonder academisch personeel
  • gastprofessor

Interne mandaten

Contact

Stadscampus
Sint-Jacobsmarkt 13
S.SJ.303
2000 Antwerpen
België
Tel. 032654535
abigail.newman@uantwerpen.be