Current artistic research projects (PhD)
On the perpetual becoming of sculpture and history and their moments of convergence
Laurence Petrone, Royal Academy of Fine Arts Antwerp
On the perpetual becoming of sculpture and history and their moments of convergence (2023-2027)
Voices of Materials: Probing the Cultural Ecology of Material Finitude
Irma Földényi, Sint Lucas Antwerpen
Voices of Materials: Probing the Cultural Ecology of Material Finitude (2023-2027)
Practice: a metaphor - Metaphorizing practices and practicing metaphors
Vedran Kopljar, Royal Academy of Fine Arts Antwerp
Practice: a metaphor - Metaphorizing practices and practicing metaphors (2023-2027)
Hyperwithin: a shy dramaturgy in shadowtimes
Anne-Lise Brévers, Royal Conservatoire Antwerp
Hyperwithin: a shy dramaturgy in shadowtimes (2023-2027)
Benoit's language
Hannah Aelvoet, Royal Conservatoire Antwerp
Benoit's language (2023-2027)
Exploring the Diasporic Life of Armenian Script: a multiscript design laboratory
Garine Gokceyan, Sint Lucas Antwerp
Exploring the Diasporic Life of Armenian Script: a multiscript design laboratory (2023-2027)
Against Forgetting: Exploring poetic gestures of return(ing) to the land in Palestine
Shayma Nader, Sint Lucas Antwerpen
Against Forgetting: Exploring poetic gestures of return(ing) to the land in Palestine (2022-2026)
Play-White: Racial Passing and Embodied Images
Bianca Baldi, Sint Lucas Antwerpen
Play-White: Racial Passing and Embodied Images (2020-2024)
Contemporary Kasala and Lukasa: towards a Reconfiguration of Identity and Geopolitics
Sammy Baloji, Sint Lucas Antwerpen
Contemporary Kasala and Lukasa: towards a Reconfiguration of Identity and Geopolitics (2020-2024)
The medium is the memory, the support the souvenir
Nicolas Baeyens, Royal Academy of Fine Arts Antwerp
The medium is the memory, the support the souvenir (2020-2024)
Arpeggio in baroque piano literature
Korneel Bernolet, Royal Conservatoire Antwerp
Arpeggio in baroque piano literature (2016-...)
Relational Creativity. The workshops as a space to build technical, social and creative relations
Andrea Cammarosano, Royal Academy of Fine Arts Antwerp
Relational Creativity. The workshops as a space to build technical, social and creative relations (2020-2024)
Connecting the dots
Lies Colman, Royal Conservatoire Antwerp
Connecting the dots (2021-2025)
Historical performance practice of post-war avant-garde music for guitar
Nico Couck, Royal Conservatoire Antwerp
Historical performance practice of post-war avant-garde music for guitar (2014-...)
Perspectives on time in the music by Stockhausen: the experience of a performer
Karin De Fleyt, Royal Conservatoire Antwerp
Perspectives on time in the music by Stockhausen: the experience of a performer (2022-2026)
Disarming Design from Palestine
Annelys de Vet, Sint Lucas Antwerpen
Disarming Design from Palestine (2019-2024)
Thinking bodies in Dance
Klaas Devos, Royal Conservatoire Antwerp
Thinking bodies in Dance (2020-2024)
Partisans of the Real: From Individual to Collective Creation
Els Dietvorst, Royal Academy of Fine Arts Antwerp
Partisans of the Real: From Individual to Collective Creation (2018-2023)
Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory
Umut Eldem, Royal Conservatoire Antwerp
Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory (2018-2024)
Sounding Equality. Investigating how contemporary composition can contribute as artistic activism for the rights of women and girls
Geoffa Fells, Royal Conservatoire Antwerp
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools
Loraine Furter, Sint Lucas Antwerpen
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools (2019-2024)
The voice as instrument / The instrument as voice
Paolo Galli, Royal Conservatoire Antwerp
The voice as instrument / The instrument as voice (2014-...)
Towards a theory of musical texture
Design as a Cultural Communicator
Carl Haase, PXL MAD Hasselt
Design as a Cultural Communicator (2016-...)
Embodying Forced Migration Accounts within Devastated Middle Eastern Cultural Heritage Sites: A Physical-Virtual Experience
Mona Hedayati, Sint Lucas Antwerpen
Informed phrasing
Nadav Katan, Royal Conservatoire Antwerp
Informed phrasing (2018-2024)
The Motolese Archive
Ilaria Lupo, Royal Academy of Fine Arts Antwerp
The Motolese Archive (2023-2027)
The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
Maria Markatatou, Royal Conservatoire Antwerp
The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands (2019-2024)
The traditions of mandolin music in the regions of Crete and Athens
Styliani Markatatou, Royal Conservatoire Antwerp
The traditions of mandolin music in the regions of Crete and Athens (2020-2024)
The oral performance of visual poetry
Philip Meersman, Royal Academy of Fine Arts Antwerp
The oral performance of visual poetry (2017-...)
Moving towards resilience. Joint creation through music and movement for local, immigrant and refugee children
Georgia Nicolaou, Royal Conservatoire Antwerp
Moving towards resilience. Joint creation through music and movement for local, immigrant and refugee children (2022-2026)
Any Body, My Self: Conceptual Art and Personhood
Yuki Okumura, Royal Academy of Fine Arts Antwerp
Any Body, My Self: Conceptual Art and Personhood (2021-2026)
Different Tubes
Chiara Percivati, Royal Conservatoire Antwerp
Different Tubes - 2021-2025
Intersecting repertoire: towards an inclusive, diverse and representative repertoire
Lauranne Paulissen, Royal Conservatoire Antwerp
Intersecting repertoire: towards an inclusive, diverse and representative repertoire (2022-2026)
Empty Pages
Bas Rogiers, Royal Academy of Fine Arts Antwerp
Empty Pages (2019-2024)
La Grande Bouffe - Challenges in the performance of musical comedies
Stijn Saveniers, Royal Conservatoire Antwerp
La Grande Bouffe - Challenges in the performance of musical comedies (2021-2025)
Visions of becoming and belonging
Singing the Silences: Mediating female songs of resistance through audio-visual Performative art
Hoda Siahtiri, Sint Lucas Antwerpen
Singing the Silences: Mediating female songs of resistance through audio-visual Performative art (2020-2024)
Sense of Wonder. Artistic portals between the real and the virtual
Kristof Timmerman, Royal Academy of Fine Arts Antwerp
Sense of Wonder. Artistic portals between the real and the virtual (2022-2026)
When the artist swallows his image
Karel Tuytschaever, Royal Academy of Fine Arts Antwerp
When the artist swallows his image (2022-2026)
100 years of surrealism
Vincent Van Meenen, Royal Conservatoire Antwerp
100 years of surrealism (2020-2024)
Toward a Poetics of Close-To-Each-Other
Anthony Braxton's tricentric thought unit construct in post was western art music
Kobe Van Cauwenberghe, Royal Conservatoire Antwerp
Anthony Braxton's tricentric thought unit construct in post was western art music (2020-2024)
Interzone (architecture of the ritual space)
Bart Van Dijck, Royal Academy of Fine Arts Antwerp
Interzone (architecture of the ritual space) (2021-2025)
Black Yarns: A Decolonial Research into the History of Black Women’s Fashion & Jewellery Design Practices
Pierre-Antoine Vettorello, Sint Lucas Antwerpen
Black Yarns: A Decolonial Research into the History of Black Women’s Fashion & Jewellery Design Practices (2021-2025)
Queering the censorship: A (self-)investigation through the first-person perspective of an experimental filmmaker in Vietnam
Việt Vũ (Quang Trung Pham), Sint Lucas Antwerpen
Towards Documentary Choreography. Intermedial approaches in working with extra-aesthetic materials
Arkadi Zaides, Royal Conservatoire Antwerp
Towards Documentary Choreography. Intermedial approaches in working with extra-aesthetic materials (2021-2025)
Movement system and sound production in marimba and percussion instruments
Anton Zhdanovich, Royal Conservatoire Antwerp
Movement system and sound production in marimba and percussion instruments (2018-...)