Artistic PhD projects | Antwerp Research Institute for the Arts

Klaas Devos (PhD researcher at Royal Conservatoire Antwerp and ARIA, UAntwerp) presenting the developments in his PhD research ‘Thinking Bodies in Dance. Somatic R.E.A.C.H. (research in electronic and algorithmic choreography)’, during the ARTICULATE Research Days, 2021, photo by Wannes Cré
Workshop by Andrea Cammarosano (PhD researcher at the Royal Academy of Fine Arts Antwerp and ARIA, UAntwerp), during the Open Laboratory Weeks at the Academy, 2021, photo by Wannes Cré
Research class for students by artist Els Dietvorst (PhD researcher at the Royal Academy of Fine Arts Antwerp and ARIA, UAntwerp), during the ARTICULATE Research Days at the Academy, 2020, photo by Miles Fishler.
Umut Eldem (PhD researcher at Royal Conservatoire Antwerp and ARIA, UAntwerp) performing ‘The Road Endless’ as part of his doctoral research into synaesthesia, during the ARTICULATE Research Days, 2021, photo by Wannes Cré
Kobe Van Cauwenberghe (PhD researcher at Royal Conservatoire Antwerp and ARIA, UAntwerp) performing ‘Composition 381 (Echo Echo Mirror House Music)’ by Anthony Braxton, during the ARTICULATE Research Days at the Conservatoire, 2021, photo by Wannes Cré
Lecture-performance ‘Hearing with the eyes - composing musical-gestural works’ by Winnie Huang (PhD researcher at Royal Conservatoire Antwerp and ARIA, UAntwerp), during the ARTICULATE Research Days, 2021, photo by Wannes Cré

Practice: a metaphor - Metaphorizing practices and practicing metaphors

Hyperwithin: a shy dramaturgy in shadowtimes

Benoit's language

Exploring the Diasporic Life of Armenian Script: a multiscript design laboratory

Against Forgetting: Exploring poetic gestures of return(ing) to the land in Palestine

Play-White: Racial Passing and Embodied Images

Contemporary Kasala and Lukasa: towards a Reconfiguration of Identity and Geopolitics

The medium is the memory, the support the souvenir

Arpeggio in baroque piano literature

Relational Creativity. The workshops as a space to build technical, social and creative relations

Jazz hands

Connecting the dots

​Historical performance practice of post-war avant-garde music for guitar

Perspectives on time in the music by Stockhausen: the experience of a performer

Disarming Design from Palestine

Thinking bodies in Dance

Integrating traditional Portuguese sounds in new compositions

Partisans of the Real: From Individual to Collective Creation

Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory

Sounding Equality. Investigating how contemporary composition can contribute as artistic activism for the rights of women and girls

The politics of publishing; researching encounters between artists’ books and intersectional feminist tools

The voice as instrument / The instrument as voice

Towards a theory of musical texture

Design as a Cultural Communicator

The Performative as a Tool – Haunting Histories

Embodying Forced Migration Accounts within Devastated Middle Eastern Cultural Heritage Sites: A Physical-Virtual Experience

Informed phrasing

The Motolese Archive

The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands

The traditions of mandolin music in the regions of Crete and Athens

The oral performance of visual poetry

Moving towards resilience. Joint creation through music and movement for local, immigrant and refugee children

Any Body, My Self: Conceptual Art and Personhood

Different Tubes

Intersecting repertoire: towards an inclusive, diverse and representative repertoire

Empty Pages

La Grande Bouffe - Challenges in the performance of musical comedies

Visions of becoming and belonging

Singing the Silences: Mediating female songs of resistance through audio-visual Performative art

​Sense of Wonder. Artistic portals between the real and the virtual

When the artist swallows his image

100 years of surrealism

Zoekgericht docentencollectief

Toward a Poetics of Close-To-Each-Other

Anthony Braxton's tricentric thought unit construct in post was western art music

Interzone (architecture of the ritual space)

Black Yarns: A Decolonial Research into the History of Black Women’s Fashion & Jewellery Design Practices

Queering the censorship: A (self-)investigation through the first-person perspective of an experimental filmmaker in Vietnam

Towards Documentary Choreography. Intermedial approaches in working with extra-aesthetic materials

Movement system and sound production in marimba and percussion instruments

Historical performance practice of post-war avant-garde music for guitar

Sense of Wonder. Artistic portals between the real and the virtual