Lopende doctoraten in de Kunsten

Ali Baharlou
Parallel narratives, different elements and forms of representations and their effect on audience perception - 2015-...

Korneel Bernolet
Arpeggio in barokke klavierliteratuur - 2016-2020

Andrew Claes
Jazz hands - 2018-2022

Anton Cotteleer
Een onscherp aftasten - 2019-2023

Nico Couck
Historical performance practice of post-war avant-garde music for guitar - 2014-2019

Annelys de Vet
Disarming Design from Palestine - 2019-2023

Carlos Brito Dias
Integrating traditional Portuguese sounds in new compositions - 2017-2021

Els Dietvorst
Partisans of the Real: From Individual to Collective Creation - 2018-2022

Umut Eldem
Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory - 2018-2022

Daniela Fantechi
Composing with contact-piezo michrophones 2017-2021 

Alireza Farhang
Traces of Expressivity: conception of a high-level, universal hybrid score in music-based interdisciplinary works - 2017-2021

Loraine Furter
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools - 2019-2023

Marco Fusi
L'homme. Les sons. Faithful to what? 2017-2021

Paolo Galli
Phonetic Relations between Vocal Music, Electronics and Linguistics in the second half of the twentieth century - 2014-2020

Amit Gur
Towards a theory of musical texture - 2017-2020

Carl Haase
Design as a Cultural Communicator - 2016-2020

Sarah Hendrickx
The integration of (self-) intervening and destabilizing artistic mechanisms (M) within an existing system (Q) in order to transform the combined system towards a state of equilibrium (E) - 2016-...

Paul Hendrikse
The Performative as a Tool – Haunting Histories - 2018-...

Winnie Huang
Sonic Silhouettes, Musical Movement - 2018-2022

Athar Jaber
Per forza di levare - 2017-2020

Nadav Katan
Informed phrasing - 2018-2022

Levente Kende
Endlich etwas wirklich neues - 2017-2020

Peter Lemmens
Fringe Creativity: Fan Fiction as Reciprocal Production and Distribution Applied to The Visual Arts - 2017-2021

Philip Meersman
De orale uitvoering van visuele poëzie - 2017-2020

Julia Miller
Capita selecta inzake het gebruik van de blokfluit bij de uitvoering van geestelijke muziek - 2010-...

Mashid Mohadjerin
Beyond The Barricades - Depicting women and resistance in the Middle East  - 2017-2020

Thomas R. Moore
Redefining the Conductor’s Role in New Music - 2018-2022

Luc Nijs
KineMusical Performance – An artistic journey into creative multimodal improvisation - 2019-2023

Vijai Patchineelam
The artist job description - 2016-2020

Bas Rogiers
Empty Pages - 2019-2023

Bob Selderslaghs
Mantle of the expert - 2018-2022

Katharina Smets
De auditieve verbeelding - het audioverhaal als kunstvorm op de grens van media, drama en literatuur - 2017-2020

Vivi Touloumidi
Pharmakos - 2018-2022

Liza Van der Stock
Photography as a learning tool - 2017-2020

Vincent Van Meenen
100 jaar surrealisme – Met surrealistische creatiemethodes in dialoog - 2019-2023

Mirjam van Tilburg
Zoekgericht docentencollectief - 2018-2021

Robin Vanbesien
Toward a Poetics of Close-To-Each-Other - 2018-...

Sarah Vanhee
Bodies Of Knowledge - de publieke ruimte als forum voor de uitwisseling van verdrongen of onderbelichte kennis - 2018-2022

Anton Zhdanovich
Movement system and sound production in marimba and percussion instruments - 2018-2022

Doctoraatsverdedigingen ARIA
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