Lopende doctoraten in de Kunsten
Ali Baharlou
Parallel narratives, different elements and forms of representations and their effect on audience perception - 2015-2021
Bianca Baldi
Play-White: Racial Passing and Embodied Images - 2020-2024
Nicolas Baeyens
Het medium is het geheugen, de drager het souvenir - 2020-2024
Korneel Bernolet
Arpeggio in barokke klavierliteratuur - 2016-2020
Andrea Cammarosano
Relationele creativiteit. De workshop als ruimte om technische, sociale en creatieve relaties uit te bouwen - 2020-2024
Andrew Claes
Jazz hands - 2018-2022
Anton Cotteleer
Een onscherp aftasten - 2019-2023
Nico Couck
Historical performance practice of post-war avant-garde music for guitar - 2014-...
Annelys de Vet
Disarming Design from Palestine - 2019-2023
Klaas Devos
Het denkend lichaam in Dans - 2020-2024
Carlos Brito Dias
Integrating traditional Portuguese sounds in new compositions - 2017-2021
Els Dietvorst
Partisans of the Real: From Individual to Collective Creation - 2018-2022
Umut Eldem
Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory - 2018-2022
Daniela Fantechi
Composing with contact-piezo michrophones 2017-2021
Alireza Farhang
Traces of Expressivity: conception of a high-level, universal hybrid score in music-based interdisciplinary works - 2017-2021
Loraine Furter
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools - 2019-2023
Marco Fusi
L'homme. Les sons. Faithful to what? 2017-2021
Paolo Galli
Phonetic Relations between Vocal Music, Electronics and Linguistics in the second half of the twentieth century - 2014-2020
Amit Gur
Towards a theory of musical texture - 2017-2020
Carl Haase
Design as a Cultural Communicator - 2016-2020
Sarah Hendrickx
The integration of (self-) intervening and destabilizing artistic mechanisms (M) within an existing system (Q) in order to transform the combined system towards a state of equilibrium (E) - 2016-...
Paul Hendrikse
The Performative as a Tool – Haunting Histories - 2018-...
Winnie Huang
Sonic Silhouettes, Musical Movement - 2018-2022
Athar Jaber
Per forza di levare - 2017-2021
Nadav Katan
Informed phrasing - 2018-2022
Levente Kende
Endlich etwas wirklich neues - 2017-2020
Peter Lemmens
Fringe Creativity: Fan Fiction as Reciprocal Production and Distribution Applied to The Visual Arts - 2017-2021
Philip Meersman
De orale uitvoering van visuele poëzie - 2017-2020
Mashid Mohadjerin
Beyond The Barricades - Depicting women and resistance in the Middle East - 2017-2021
Thomas R. Moore
Redefining the Conductor’s Role in New Music - 2018-2022
Luc Nijs
KineMusical Performance – An artistic journey into creative multimodal improvisation - 2019-2023
Vijai Patchineelam
The artist job description - 2016-2020
Bas Rogiers
Empty Pages - 2019-2023
Bob Selderslaghs
Mantle of the expert - 2018-2022
Hoda Siahtiri
Singing the Silences: Mediating female songs of resistance through audio-visual Performative art - 2020-2024
Katharina Smets
De auditieve verbeelding - het audioverhaal als kunstvorm op de grens van media, drama en literatuur - 2017-2020
Vivi Touloumidi
Pharmakos - 2018-2022
Liza Van der Stock
Photography as a learning tool - 2017-2020
Vincent Van Meenen
100 jaar surrealisme – Met surrealistische creatiemethodes in dialoog - 2019-2023
Mirjam van Tilburg
Zoekgericht docentencollectief - 2018-2021
Robin Vanbesien
Toward a Poetics of Close-To-Each-Other - 2018-...
Kobe Van Cauwenberghe
Anthony Braxton's tricentric thought unit construct in post was western art music - 2020-2024
Sarah Vanhee
Bodies Of Knowledge - de publieke ruimte als forum voor de uitwisseling van verdrongen of onderbelichte kennis - 2018-2022
Anton Zhdanovich
Movement system and sound production in marimba and percussion instruments - 2018-2022