Lopende doctoraten in de Kunsten

Bianca Baldi
Play-White: Racial Passing and Embodied Images - 2020-2024

Sammy Baloji
Contemporary Kasala and Lukasa: towards a Reconfiguration of Identity and Geopolitics - 2019-2023

Nicolas Baeyens
Het medium is het geheugen, de drager het souvenir - 2020-2024

Korneel Bernolet
Arpeggio in barokke klavierliteratuur - 2016-...

Andrea Cammarosano
Relationele creativiteit. De workshop als ruimte om technische, sociale en creatieve relaties uit te bouwen - 2020-2024

Andrew Claes
Jazz hands - 2018-2022

Lies Colman
Connecting the dots - 2021-2025

Anton Cotteleer
Een onscherp aftasten - 2019-2023

Nico Couck
Historical performance practice of post-war avant-garde music for guitar - 2014-...

Annelys de Vet
Disarming Design from Palestine - 2019-2023

Klaas Devos
Het denkend lichaam in Dans - 2020-2024

Carlos Brito Dias
Integrating traditional Portuguese sounds in new compositions - 2017-2021

Els Dietvorst
Partisans of the Real: From Individual to Collective Creation - 2018-2022

Umut Eldem
Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory - 2018-2022

Daniela Fantechi
Composing with contact-piezo michrophones 2017-2021 

Alireza Farhang
Traces of Expressivity: conception of a high-level, universal hybrid score in music-based interdisciplinary works - 2017-2021

Loraine Furter
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools - 2019-2023

Marco Fusi
L'homme. Les sons. Faithful to what? 2017-2021

Paolo Galli
Phonetic Relations between Vocal Music, Electronics and Linguistics in the second half of the twentieth century - 2014-2021

Amit Gur
Towards a theory of musical texture - 2017-2021

Carl Haase
Design as a Cultural Communicator - 2016-2021

Mona Hedayati
Embodied Forced Migration. Digital Narrativization - War-Stricken Cultural Heritage Sites - 2021-2025

Sarah Hendrickx
The integration of (self-) intervening and destabilizing artistic mechanisms (M) within an existing system (Q) in order to transform the combined system towards a state of equilibrium (E) - 2016-...

Paul Hendrikse
The Performative as a Tool – Haunting Histories - 2018-...

Winnie Huang
Sonic Silhouettes, Musical Movement - 2018-2022

Nadav Katan
Informed phrasing - 2018-2022

Philip Meersman
De orale uitvoering van visuele poëzie - 2017-2021

Thomas R. Moore
Redefining the Conductor’s Role in New Music - 2018-2022

Luc Nijs
KineMusical Performance – An artistic journey into creative multimodal improvisation - 2019-2023

Yuki Okumura
Any Body, My Self: Conceptual Art and Personhood - 2021-2025

Vijai Patchineelam
The artist job description - 2016-2021

Chiara Percivati
Different Tubes - 2021-2025

Bas Rogiers
Empty Pages - 2019-2023

Stijn Saveniers
​La Grande Bouffe - 2021-2025

Bob Selderslaghs
Mantle of the expert - 2018-2022

Muhammad Danial Shah
Visions of becoming and belonging - 2021-2025

Hoda Siahtiri
Singing the Silences: Mediating female songs of resistance through audio-visual Performative art - 2020-2024

Katharina Smets
De auditieve verbeelding - het audioverhaal als kunstvorm op de grens van media, drama en literatuur - 2017-2021

Vivi Touloumidi
Pharmakos - 2018-2022

Vincent Van Meenen
100 jaar surrealisme – Met surrealistische creatiemethodes in dialoog - 2019-2023

Mirjam van Tilburg
Zoekgericht docentencollectief - 2018-2022

Robin Vanbesien
Toward a Poetics of Close-To-Each-Other - 2018-...

Kobe Van Cauwenberghe
Anthony Braxton's tricentric thought unit construct in post was western art music - 2020-2024

Bart Van Dijck
Interzone (de architectuur van de rituele ruimte) - 2021-2025

Sarah Vanhee
Bodies Of Knowledge - de publieke ruimte als forum voor de uitwisseling van verdrongen of onderbelichte kennis - 2018-2022

Pierre-Antoine Vettorello
Black Yarns: A Decolonial Research into the History ofBlack Women’s Fashion & Jewellery Design Practices - 2021-2025

Arkadi Zaides
Towards Documentary Choreography. Intermedial approaches in working with extra-aesthetic materials - 2021-2025 

Anton Zhdanovich
Movement system and sound production in marimba and percussion instruments - 2018-2022